Experimental art in Korea from the 1960s to 1970s has received little attention compared to other Korean art genres despite its unique place in Korean art history. Setting the art genre in the global context for international audiences was a recent exhibition at Solomon R. Guggenheim Museum in New York co-organized with the National Museum of Modern and Contemporary Art, Korea. The exhibition “Only the Young: E.
The National Museum of Modern and Contemporary Art, Korea (MMCA) is set to restructure its acquisition plans to strengthen its collection of international art starting this year.
Together, the concurrent exhibitions Only The Young: Experimental Art in Korea, 1960s–1970s and The Shape of Time, Korean Art After 1989 offer a glimpse of the breathtakingly rapid achievement of a people, built on reservoirs of memory and imagination, optimism, extraordinary resilience, but also on tragedy.
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The National Museum of Modern and Contemporary Art, Korea will expand the proportion of international art in its collection, which stands at less than 10 percent of its total collected works. Among the 11,500 works in its collection, 993 are by overseas artists, according to the museum. Ninety-one percent of its collection are works by Korean artists. “The Korean art scene has received more attention than ever .