What is it like to be “of one’s time” and not? Leon Polk Smith was a prime progenitor of American hard-edged abstraction whose non-objective pedigree as a protégé of the painter and philanthropist Hilla Rebay, and subsequent track record of showing in the Betty Parsons and Egan Gallery early on, puts him squarely in the pocket of post-war American art ascendancy yet his legacy has subsequently remained a relatively independent part of that particular epic.
Cora was a relentless and ambitious maverick. She was constantly reinventing her work. She wouldn’t settle, wouldn’t stop exploring abstraction. The paintings always seemed to lead her.
Bennington College receives Cora Cohen '64 painting | Vermont Business Magazine vermontbiz.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from vermontbiz.com Daily Mail and Mail on Sunday newspapers.