Proyectos Monclova opens an exhibition of works by Verónica Gerber Bicecci
Verónica Gerber Bicecci, Descalzos los pies, los campos en ellos, sentiré al acreedor de la tierra en mis plantas desnudas, Proyectos Monclova, Mexico City, 2021. Courtesy: the artist and Proyectos Monclova. Photo: Ramiro Chaves.
MEXICO CITY
.- Verónica Gerber Bicecci (Mexico City, 1981) auto-classifies herself as a visual artist that writes since a work is categorized by the tension between the visual and the literary. This exhibition, Descalzos los pies, los campos en ellos, sentiré al acreedor de la tierra en mis plantas desnudas (Barefoot feet, the fields in them, I will feel the creditor of the land on my bare soles) reunited five projects that dialogue with rewriting, the voices of the past and translation. Gerber Bicecci considers the question over and over again about the accumulation, in all the possible translations, including here that exerted by the passage of time and the attraction
Mexico-city
Distrito-federal
Mexico
Roma
Lazio
Italy
Zacatecas
London
City-of
United-kingdom
Whitechapel
Tower-hamlets