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The 'slow-motion genocide' of the Chinook Indian Nation
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Members of Chinook Indian Nation liken lack of federal recognition to slow-motion ‘genocide’
Updated Apr 03, 2021;
Posted Apr 03, 2021
Members of the Chinook Indian Nation paddle a newly made replica of an historic Native American canoe in 2013. They were on the first day of a five-day river journey down the Lower Columbia in honor of their ancestors and in celebration of the river. Faith Cathcart/The OregonianLC-
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By Anna V. Smith/High Country News
Before the pandemic, the cedar plankhouse called Cathlapotle would have been full of stories and fire. Every winter, the Chinook Indian Nation and neighboring tribes hold their annual gathering here, on their ancestral lands on a Columbia River floodplain, where red-winged blackbirds sing from the cattails and yellow-and-orange-eyed sandhill cranes strut on stilted legs. It’s not far from the remnants of a village also called Cathlapotle, a major Chinookan trading town established around 1450 that once held as
The ‘slow-motion genocide’ of the Chinook Indian Nation
Federal recognition provides tribes with critical healthcare and education. What happens to the tribal nations that the U.S. refuses to recognize? Image credit: Greg A. Robinson April 1, 2021 From the print edition
Before the pandemic, the cedar plankhouse called Cathlapotle would have been full of stories and fire. Every winter, the Chinook Indian Nation and neighboring tribes hold their annual gathering here, on their ancestral lands on a Columbia River floodplain, where red-winged blackbirds sing from the cattails and yellow-and-orange-eyed sandhill cranes strut on stilted legs. It’s not far from the remnants of a village also called Cathlapotle, a major Chinookan trading town established around 1450 that once held as many as 16 plankhouses.
Smithsonian American Art Museum receives major gift of extraordinary Amish quilts
59 Sunshine and Shadow,1930, 89 x 86 in., Smithsonian American Art Museum, Gift of Faith and Stephen Brown. Image courtesy of Faith and Stephen Brown.
WASHINGTON, DC
.-The Smithsonian American Art Museum has received an extraordinary gift of masterpiece Amish quilts from the collection of Faith and Stephen Brown. The group of quilts is the largest and most significant collection of Amish quilts to enter any major art museums permanent collection. The quilts were made between the 1880s and 1940s and embody the astonishing design innovation and stitching skills of Amish women from communities in Illinois, Indiana, Iowa, Ohio, Pennsylvania and other states. An initial group of approximately 40 donated quilts will be featured in an upcoming exhibition organized by the museum, scheduled for March 15, 2024 through Sept. 2, 2024. The exhibition and accompanying catalog will highlight the ways in which A
Smithsonian American Art Museum Receives Major Gift of Extraordinary Amish Quilts from the...
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