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The camera tailed them around the building . Juan Gil and Simone Damberg Würtz in Rambert’s Draw From Within. Photograph: Camilla Greenwell The first time I cried watching someone dance in their living room was in April last year. A few weeks into the first lockdown, unnerved by sudden confinement, there was ballerina Céline Gittens on my laptop screen, bourréeing past a pot plant. Then in a different living room, cellist António Novais drawing out a Saint-Saëns melody, and in another house, pianist Jonathan Higgins, all deeply engrossed in this re-creation of The Dying Swan, music crossing the divide.

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