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The opera's a masterpiece but the production doesn't quite come off: ENO's The Dead City reviewed

English National Opera has arrived at the Dead City, and who, before Christmas, would have given odds that this new production of Korngold’s Die tote Stadt would ever make it this far? This is late-Romantic music-drama on an exuberant scale; it simply doesn’t lend itself to pubs and car parks (even the reduced version staged

The Dead City, ENO, review: murder, lust and deranged grief

In this new ENO production, Korngold’s hallucinatory opera boils with atmosphere and tests two excellent lead singers to their limits

Opera Review: Richard Strauss' 'Elektra' presented by the Washington National Opera at Kennedy Center

She made Glimmerglass a true festival. Now she's moving on.

Before every opera performance at the Glimmerglass Festival, Francesca Zambello, its artistic and general director, cruises around its bucolic campus

She Made Glimmerglass a True Festival. Now She's Moving On.

During Francesca Zambello’s 12 years as the festival’s leader, she did what she set out to do: took on “complex issues through storytelling and music making.”