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On top of reinforcing wider industry biases, the creative choice to hand romance franchises to men is particularly frustrating because it disregards the perspective of the genre s main audience: women. Romances, especially ones with teenage protagonists, focus on female adolescence and desire. They serve as fun, formative outlets for their female fanbases which is why they re noticeably more endearing when a woman is shaping the narrative behind the camera.
Of course it s possible for men to direct such stories compassionately and skillfully; identity isn t the sole arbiter of cinematic skill. But unfortunately, more often than not, male approximations of the female experience are dripping with hackneyed condescension: we have writer and director Vince Marcello to thank for the glaringly underwritten protagonist of
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