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American photography and the Civil War among new faculty members expertise > News > USC Dornsife
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An Incomplete City, September 2019. Collective student work by G Braunstein, C Brundege, A Elkafas, A Galloway, D Groves, T Jean-Louis, H Levin, Z Lynch, J McVicker, A Shenk, A Treadwel.. Workshop led by Prof. Adams and Santoyo-Orozco.
This spring, the first year of classes came to a close at a new undergraduate program in architecture at Bard College, a 2,000-student liberal arts school in rural Annandale, New York. According to the co-directors, Professors Ivonne Santoyo-Orozco and Ross Exo Adams, designing Bard Architecture’s new curriculum has been an opportunity to rethink architectural education by asking: “What is architecture in the first place?”
Our Kingdom of Creatures | Kenyon Review Online
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(Anna DalCortivo)
May 26, 2020. People come from all directions: holding signs, wearing masks. It’s quiet, considering the size of the crowd. The day after George Floyd was murdered by Minneapolis police, the space that will become George Floyd Square is blocked off by some kind of red ribbon, twisted through the doors and windows of a barricade of cars. Flowers mark the spot on the sidewalk where he died. In the days to come, the flowers multiply and other forms of memorial emerge: vigils, murals, billboards, portraits.
In the 12 months since Floyd’s murder, community members have continued to occupy and preserve George Floyd Square. The semiautonomous zone is built for and around Black liberation: a fight for a world in which Floyd would still be alive. It aims to both resist oppression and avoid oblivion.
Rinaldo Walcott locates his contribution to the Field Notes series on current issues,
On Property, in the present political moment, while using historical references and events to argue for the abolition of police and property. For Walcott, a professor at the University of Toronto whose research areas include Black diaspora cultural studies, “property is a problem.” Using the “communal philosophy and anti-capitalist stance” of Rastafarianism and “ideas expounded by radical Black feminism,” Walcott builds a case for why abolition of property would lead to the “transformation of our society as we know it.” Walcott agrees that while abolition might be a revolutionary – and even radical – idea, the basis for it lies in the history of slave ownership and “Black unfreedom.” Referring to the work of cultural theorist Fred Moten, he argues that it is “the gap between the commodified ownership of the slave and the slave’s refusal of this status … that gives b
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