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This book examines how the cultural and ethical power of literature allowed writers and readers to reflect on the practice of capital punishment in the UK, Ireland and the US between 1890 and 1950. It explores how connections between ‘high’ and ‘popular’ culture seem particularly inextricable where the death penalty is at stake, analysing a range of forms including major works of canonical literature, detective fiction, plays, polemics, criminological and psychoanalytic tracts and letters and memoirs. The book addresses conceptual understandings of the modern death penalty, including themes such as confession, the gothic, life-writing and the human-animal binary. It also discusses the role of conflict in shaping the representation of capital punishment, including chapters on the Easter Rising, on World War I, on colonial and quasi-colonial conflict and on World War II. Ebury’s overall approach aims to improve our understanding of the centrality of the death penalty and the
NorthumbriaNorthumberlandUnited-kingdomDorothy-sayersKatherine-baxterElizabeth-bowenAgatha-christieRavit-reichmanKatherine-eburyLauren-arringtonUniversity-of-northumbriaMaynooth-universityMonday, 1 February 2021, 7:18 pm
The
Festival of Colour arts and ideas festival today revealed a
packed week-long programme featuring an exciting mix of
theatre, dance, music, visual arts and conversation to take
place in April in Wānaka.
Known as ‘the best little
arts festival in New Zealand’, the Festival of Colour
takes place from Monday 12 to Sunday 18 April.
It will
be the ninth festival, and director Philip Tremewan says the
2021 festival will bring heart, soul and creative joy to the
town and surrounding area.
“COVID has been difficult
for us all and we have worked to put together a programme
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