A multidisciplinary survey of 200 works reveals how Ruscha’s alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.
A new exhibition on architecture’s intersection with the environmental movement of the 20th century illuminates contributions by lesser-known practitioners while reexamining the portfolio of the era’s masters through an ecological lens.
Dineo Seshee Bopape’s first solo museum exhibition in New York is carefully attuned to histories of resistance. Embedded in the show is a refusal against categorization and linearity, as well as the question: How do we imaginatively retrieve or invent new methods for prospering?
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