about, you have to figure out what the quarter is and give that much energy going for it. and we continue with judi dench. don t think you have got to play every aspect of a part in every scene of a character. you just play one small bit of it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented the whole character. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace, fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that so i am slightly a rough spec
dench. don t think you have got to play every aspect of a part in every scene of a character. you just play one small bit of it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented c. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace, fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that so i am slightly a rough specimen in front of the camera but that is my aim to try to look like i am not being watched. and we conclude this evening with audrey ta
that much energy going for it. and we continue with judi dench. don t think you have got to play every aspect of a part in every scene of a character. you just play one small bit of it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented the whole character. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace, fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that so i am slightly a rough specimen in front of the camera but that is my aim to try to lo
president obama s economic stimulus program, our stimulus desk is working long hours, poring over reports on tens of thousands of projects, and we found pork. only it s not an earmark this time, it s from a can and helping to feed those less fortunate. our top story, president obama is preparing to deliver his first state of the union address. it s tomorrow night and he s hoping it can change the course of the country and perhaps his presidency. he s asking congress to approve a three-year freeze on discretionary federal spending. one republican compared that to going on a diet after winning a pie eating contest. he ll be trying to convince middle class america that he really does feel their pain. suzanne malveaux joins us at the white house. when we talk about a freeze on discretionary spending, explain what part of the government we re talking about in the government. reporter: it s interesting the pie eating contest and diet analogy there. the obama administration says
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