is there any taboo that would not break? what s wrong with you? there is so much different story telling and so many stories being told about so many people. i don t think dramatic television have ever been strong. in coming! who are the heroes? the people who watch this show. this is the week when the major broadcast network unveiled their fall lineup of show. everyone executives know how well the sopranos is doing on cable. we are dependant on sponsors. there are so much we can do in terms of language, in terms of violence and sex. to a large degree a lot of executives were stannding on th edges of what was interesting. hbo is looking at the world and going okay, how can we matter. for quite a long time, movies and boxing were the bread and butter of hbo. what we have learned through shows like larry sanders or oz is that is we could do serious television. something in the air. and it ain t love. oz was cutting edge of what it was willing
there s no longer this theory of what popular entertainment must be. incoming! who are the heroes? the people who watch this show. this is the week when the major broadcast networks unveil their fall lineup of shows. and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. i think hbo altered everything for this reason alone, is there were no commercials. we are dependent on sponsors. there s so much we can do in terms of language, in terms of violence, in terms of sex. to a large degree, a lot of executives were just sanding off the edges of what was interesting. i think hbo is looking at the world and going, okay, how can we matter? for quite a long time, movies and boxing were the bread and butter of hbo. people watch a show because you re partly a [ bleep ]. i think what we learned through shows like the larry sanders show or oz is that we could do serious television. there s somethin
hopkins school of advanced international studies. the floor is yours. served in this body for senator jackson, who many of you had a non-and memorable memory of, i m sure. i recognize i am in the distinct minority on this panel, but i take comfort that i represent the vast majority of americans and certainly the vast majority of those of you in congress on this question. should gitmo be closed? the answer is resoundingly no there is a- unless better alternative available. i would like to put this into context if i may. it is to explain why we have gitmo in the first place. it is because we are at war. is seemingly lost on a lot of us as we talk about this in an abstract context. removed fromhow be this overarching problem. we are not just at warp. we are at war because others attacked us and, in your wisdom wisdom, and the congress you gave the to fight back. we have lost sight as to who we are fighting with. it bears directly on the .uestion before you all today we are fig
this is the week when the major broadcast networks unveil their fall lineup of shows. and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. i think hbo altered everything for this reason alone, is there were no commercials. we are dependent on sponsors. there s so much we can do in terms of language, in terms of violence, in terms of sex. to a large degree, a lot of executives were just sanding off the edges of what was interesting. i think hbo is looking at the world and going, okay, how can we matter? for quite a long time, movies and boxing were the bread and butter of hbo. people watch a show because you re partly a [ bleep ]. i think what we learned through shows like the larry sanders show or oz is that we could do serious television. there s something in the air, and it ain t love. oz was cutting edge in what it was willing to share with the audience. hit me. hit me. hit me in the fac
and give it some chili pepper. advertising is based on one thing, happiness. is there any taboo that you wouldn t break? not if there was a funny idea. what is wrong with you? there s so much different storytelling and so many different stories being told about so many different people. i don t think dramatic series television has ever been stronger. there s no longer this theory of what popular entertainment must be. incoming! who are the heroes? the people who watch this show. this is the week when the major broadcast networks unveil their fall lineup of shows. and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. i think hbo altered everything for this reason alone, is there was no commercials. we are dependent on sponsors. there s so much we can do in terms of language, in terms of violence, in terms of sex. to a large degree, a lot of executives were just sanding off the edges of what was i