“Jason Bourne” may entice ticket buyers with prospects of a creative and adrenalin-pumping reunion between Matt Damon and director Paul Greengrass, a duo that went beyond typical blockbuster expectations
with “The Bourne Supremacy” and “The Bourne Ultimatum.” Being a fan of both of
those movies, I too had high hopes for a return to form for the character who
shares a monogram with 007. But it’s mere minutes into “Jason Bourne” that something is wrong. Is it the stoic, nearly dialogue-less (25 lines in the
entire film) take on Bourne? Is it the more-hyperactive-than-ever action
cinematography and editing, designed to make every phone call answered and