Andrew ‘Andy’ Grush and Taylor Newton Stewart jumped from composing for horror director Mike Flanagan to Marvel’s latest animated series, starting with retro synthesizer sounds of the late 80s and early 90s in the show’s first episodes before including more modern instrumentation and techniques, with care placed on the large number of handoffs between scenes that can feel
What do superhero frenemies do… when one is Deadpool… they come together… Ryan Reynolds returns as the fourth wall breaking ‘Merc with a Mouth’ in the third installment of the scandalous Marvel Studios franchise, alongside Hugh Jackman as Wolverine; the film hits theaters July 26.
The series never gained traction after being shelved during the WGA strike, with actor Kit Harrington revealing, ‘it’s off the table,’ because the team, ‘couldn’t find the right story to tell.’
Christine Boylan and Jabbar Raisani will now executive producer the Netflix series through its second and third seasons, while Kim will remain as an executive producer.
VFX supervisor, director, and executive producer Jabbar Raisani led a monumental effort to deliver almost 3,400 visual effects shots on the live-action adaptation of Nickelodeon’s famed animated series, recreating the magical world of benders, who control the natural elements of fire, water, wind, and earth, and the mediator known as the Avatar.