of possibility and promise that young kids in bands can deliver. right now they re the most important band in the world for what they may inspire other people to do. last night much in the same way that nirvana was the spearhead for grunge in the 90s, the strokes really helped usher in a lot of other acts. but she can read she can read she can read she can read she d bad she can read she can read she can read she s bad the first ones to break after the strokes in terms of new york artists is interpol and yeah yeah yeahs. these are strange people. they re counter-cultural by nature. karen o, she s this violent, swaggering rock boy and this heartbroken, teary rock girl. pack up i m straight and maps is one of those
felt. we needed that sense of defiance, that hubristic sense of possibility and promise that young kids and bands understand. they may inspire other people to do. much in the same way that nirvana was the spearhead for grunge in the 90s, the strokes really helped usher in a lot of other acts. she carried, she carried, she carried. the first wants to break in terms of new york artists, these are strange people, they are countercultural, by nature. karen o, she is this violent, swaggering, rock boy, and this heartbroken thierry, rock girl. i m stressed. maps is one of those truck that launched 1000 young female
down after 9/11 the city was burning. it was smoldering. sunlight vulnerability, anxiety. all this became how the country felt. we needed that sense of defiance, that hubristic sense of possibility and promise that young kids in bands can deliver. right now they re the most important band in the world for what they may inspire other people to do. last night much in the same way that nirvana was the spearhead for grunge in the 90s, the strokes really helped usher in a lot of other acts. she can t wait she can t wait the first ones to break after the strokes in terms of new york artists is interpol and yeah yeah yeahs. these are strange people. they re countercultural by nature.
through 90s, if you are banned from new york, you can count on getting laughed out of the room anywhere in the country. new york is where rock n roll was thought of as dead. in 2000, the predominant music with hip-hop. no one is thinking about new york as the center for interesting rock music anymore. after 9/11, these bands bubbling the underneath the surface and it really starts with the strokes. after 9/11, the city was burning. it was smoldering. vulnerability, anxiety, this became how the country felt. we needed the sense of defiance , that hubristic sense of possibility and promise that young kids in bands can deliver. they may inspire other
new york was just a place where rock n roll was thought of as dead. in the 2000s, the predominant music generally is hip-hop. and that s the case in new york. no one s thinking about new york as a center for interesting rock music anymore. but after 9/11, you had all these bands who were kind of bubbling beneath the surface who start popping up, and it really starts with the strokes. last night she said i feel so down after 9/11, the city was burning. it was smoldering. sunlight vulnerability, anxiety. all this became how the country felt. we needed that sense of defiance, that hubristic sense of possibility and promise that young kids in bands can deliver. right now they re the most important band in the world for what they may inspire other people to do. last night much in the same way that nirvana was the spearhead for grunge in the 90s, the strokes really helped usher in a lot of