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Events - Arts - Wednesday, April 21, 2021 - The Austin Chronicle
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Events - Arts - Tuesday, February 9, 2021 - The Austin Chronicle
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Blanton Museum of Art presents What s the Deal?: A Print Collecting Primer (Part 2) Many events have been canceled or postponed due to coronavirus concerns. Please check with the organization before going to any event. Rembrandt van Rijn,
Abraham s Sacrifice, 1655, etching and drypoint, 6 1/8 x 5 1/4 in., Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 2015.
Image courtesy of Blanton Museum of Art What is an original print? How does anyone know it is authentic? Is this a fair price? Blanton curator Holly Borham will pose these questions to print dealers Carolyn Bullard and Susan Schulman, who collectively have 80 years of experience in selling museum-quality fine art prints. The event will start with the basics, discuss general collecting strategies, caution against some pitfalls, and suggest avenues to build a personal print collection that reflects buyers interests and stays within their budge
Unknown Netherlandish Artist,
Landscape with Elisha Mocked after an engraving by Schelte Bolswert after a painting by Peter Paul Rubens, and after an engraving by Nicolaes Ryckmans after a design by Pieter de Jode I (1640-52). Courtesy of the Blanton Museum of Art.
Few art critics can afford to seriously collect art. And those that do don’t collect like Leo Steinberg did. The Russian-born writer, one of the most influential of his generation, amassed a trove of some 3,500 prints before his death, in 2011 a time when the medium was often overlooked, undervalued, and ripe for reassessment.
Steinberg’s contributions to art history wouldn’t have been the same without his hobby, argues a new exhibition at the Blanton Museum of Art in Austin, Texas. It’s through this conceit that the show, “After Michelangelo, Past Picasso: Leo Steinberg’s Library of Prints,” seeks to unpack the tricky legacy left behind by the era-hopping thinker, outsider academic, and iconoclastic cr