Friday, January 15, 2021
Richard Bratby discovers that operetta – traditionally considered the poor relation of operatic works – is deceptively difficult to pull off, requiring musicians to dig beneath its polished surface in order to express hidden emotional depths Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. Why not register today and enjoy the following great benefits:
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