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How to choose a novel in a bookshop

Books offer clues to their contents before you read their first lines. Deciphering them can help you decide whether they’re worth picking up.

Russia
Wikimedia-commons
Ralph-waldo-emerson
Harper-lee
Charles-lamb
Walt-whitman
Salman-rushdie-haroun
David-copperfield
Henry-james
Elliot-ross
Louise-willder
Graham-greene

'Her Fearful Symmetry' | Select | norfolkdailynews.com

Sometimes a book deserves a second chance. In 2012, I read “Her Fearful Symmetry” by Audrey Niffenegger and disliked it immensely. Mostly, I was bored by it.

London
City-of
United-kingdom
George-eliot
Mary-ann-evans
Audrey-niffenegger
Douglas-adams
Fearful-symmetry
Highgate-cemetery
Lewis
Martin-arrowsmith

Books galore

A few weeks back, in the span of two days, I came into possession of 283 books — all for less than $10. How did this happen? Let me tell

Mary-higgins-clark
John-grisham
John-fowles
Random-house
Mary-higgins
Third-edition
Cognate-cognizance
Lewis
Martin-arrowsmith
Iterature
Pulitzer-prize
Sinclair-lewis

Transcripts for BBCNEWS The Arts Interviews 20240604 00:49:00

It is short term thinking to appeal to wall street and appear to be innovative. but it s actually. what do you mean by that? well, if you if you say to wall street, we re going to smash the theatrical window and we re going to give the consumer what they want and blah, blah, blah. it sounds good. and maybe the share price goes up, but it s not good for the health of cinemas. every other business will and every other business understands that the restriction of supply to tune it to demand. whether you re talking about the publishing industry, where the hardback comes out a year before paperback, etc., etc.. the diamond industry, debeers famously controlling the supply of diamonds. you don tjust throw your products out willy nilly and allow everybody to choose how to view them. that s not it s not the best business model. if you re interested in making money. for a film maker, it s not the best model because we make films for the big screen and we want to maximise the length of the run

Thinking
Wall-street
Window
Share-price
Consumer
Blah
Cinemas
Business
Supply
Publishing-industry
Hardback
Restriction

Transcripts for BBCNEWS The Arts Interviews 20240604 19:50:00

Well, if you say to wall street, we re going to smash the theatrical window and we re going to give the consumer what they want and blah, blah, blah. it sounds good. and maybe the share price goes up, but it s not good for the health of cinemas. every other business will and every other business understands that the restriction of supply to tune it to demand. whether you re talking about the publishing industry, where the hardback comes out a year before paperback, etc, etc. the diamond industry, debeers famously controlling the supply of diamonds. you don t just throw your products out willy nilly and allow everybody to choose how to view them. that s not it s not the best business model. if you re interested in making money. for a filmmaker, it s not the best model because we make films for the big screen and we want to maximise the length of the run that they get on the big screen. we want as many people to be able to try and find them in that form as possible, and then they very na

Cinemas
Window
Wall-street
Share-price
Business
Consumer
Health
Blah
Supply
Publishing-industry
Hardback
Restriction

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