earlier than i thought i would. i was in my 20s and i started to decline. city was like an athlete and i started to have to look for something else. that got me interested in how people change in their careers. now i teach happiness at harvard business school. one of the things i tell them is you are going to change, be ready to jump on the next curve. brian: when they get there the happiness isn t necessarily waiting for them. why? your expectations on how you are going to feel are never right. people think when you finally meet your dreams you will be satisfied forever. the world won t let you it s kind of a treadmill. you have to expect that will disfate. brian: charles darwin peaked
earlier than i thought i would. i was in my 20s and i started to decline. city was like an athlete and i started to have to look for something else. that got me interested in how people change in their careers. now i teach happiness at harvard business school. one of the things i tell them is you are going to change, be ready to jump on the next curve. brian: when they get there the happiness isn t necessarily waiting for them. why? your expectations on how you are going to feel are never right. people think when you finally meet your dreams you will be satisfied forever. the world won t let you it s kind of a treadmill. you have to expect that will disfate. brian: charles darwin peaked
From stark poetry to rugged hip-hop and more.
Irish identity is up for grabs.
St Patricks Day emphasises the island s global reach, the manner in which the diaspora has survived and thrives in corners around the world.
Yet Irishness has become increasingly hard to define, with new generations, political developments, and increased immigration causing the country to take a step back, and look at itself once more.
The process has been mirrored and enhanced in the country s complex network of music communities. Simply put: Irish music is thriving, but there s no one defining sound or idea. Indeed, diversity is its strength, whether that s the rollicking post-punk of
Credit: Paula Trojner
In the space of two gripping neo-noir singles, Kynsy has brewed up the perfect storm of youthful unease. Exploring topics of a long term relationship coming to an end with âHappiness Isnât A Fixed Stateâ right through to disturbing characters met on nights out with âCold Blue Lightâ. Itâs been a masterclass of channelling angst into disarming indie for a new generation.
Like everyone else with plans flipped upside-down around the pandemic, her debut EP âThings That Donât Existâ probably should have arrived much earlier than now, greeted with heaving club shows and festival stages to boot. But she isnât going to delay any longer and why the hell not? As well as offering the time to absorb any personal concerns, the last six months have seen 23-year old Ciara Lindsey hone every note on this release, making for a soaring first statement.