to the core of the issue first, had the princess enjoyed her dance with mr. travolta? well, i m not a glove puppet. so i can t answer for that, i m afraid. but i think you enjoyed it, didn t you? it would be interesting if she didn t enjoy dancing with john travolta. what? the tension there was palpable. he was exasperated. this was not diana s idea. nancy reagan asked john travolta to ask her to dance. she was very much trying to make her husband and his family proud. but in these moments where her star shone so bright, it just overshadowed everything he was doing and he could not hide his disgust. charles had been to the united states a number of times. and everywhere he went he was the center of attention, of adulation. when he was in los angeles meeting a group of women, they
i think diana thrived in these moments where the spotlight shone so brightly on her. diana wasn t fazed at all. she loved to dance. here she was dancing with john travolta, one of the most celebrated dancers in the world at that time. she just came alive. it showed diana s star power was really equal to that of a major hollywood star. screaming for the princess wherever she went. thousands gathered along pennsylvania avenue to catch a glimpse of the motorcade bringing the visitors to the national gallery of art. charles agreed to have a press conference to talk about the exhibit that he was opening, and all they wanted to talk about was diana. to the core of the issue first, had the princess enjoyed her dance with mr. travolta? well, i m not a glove puppet. so i can t answer for that, i m afraid.
and all they wanted to talk about was diana. to the core of the issue first, had the princess enjoyed her dance with mr. travolta. i m not a glove puppet, so i can t answer for that. i think you enjoyed it, didn t you? the tension there was palpable. she was exasperated. this was not idea s idea. nancy reagan asked john travolta to ask her to dance. she was trying to make her husband and his family proud. but in these moments when her star shone so bright it overshadowed everything he was doing and he could not hide his disgust. charles had been to the united states a number of times, and everywhere he went he was the center of attention, of adulation. when he was in los angeles,
greg: he has changed a lot. that went on from 11:00 p.m. to 5:00 a.m. the statement on that guy. and of course this was our afternoon chat show called we eat children. i have just been to the toy shop. do you know what i bought? should i show you? it s a glove puppet. and you know you can do all sorts of things with a puppet. greg: and those things we can show you. we cut out the part where they actually do eat the children. or we can show, however, was called ferris wheel losers.
Banco de Gaia
Seti I
Creme Egg
B2
Sixty Sixteen (For Karina)
Toby Marks, the musical alchemist behind Banco de Gaia, made his reputation by infusing Asian and Middle Eastern musical elements into his dub mixes, resulting in a compelling world music-electronica hybrid. For Igizeh, he.
more » has further blurred the constituent genres boundaries, softening the house beat just a bit and letting his disparate inspirations swirl into a dreamy, intoxicating sonic daydream. If that s the club s loss, it s certainly the listener s gain. Much of the album was recorded in Egypt (including segments produced inside the Great Pyramid at Giza and the Temple of Seti I at Thebes), but to his credit Marks cannily avoids many easy world music and ambient clichés; Jennifer Folkes s soulful vocals on Obsidian and Glove Puppet are not the least of the stylish balancing act between East and West presented herein. Jerry McCulley