i m sorry. it s very hard for me to watch this. the u.s. government has never commented on broadstreet s documentary. yet it has denied having evidence that extraterrestrials have made contact with humans. i do know the interviews came to an end. whether the being died or was retired and i don t mean that in a spy sense of having it killed i mean retired from the interview process. i just don t know. we found that tomorrow, yeah, aliens are really real and they re here among us, there s a big portion of the population that would completely freak out. some wonder if this video and its extraordinary subject could, in fact, be real. we asked a specialist. i have no doubt that it is an animatronic puppet. glen hedrick is a hollywood makeup artist. the telltale signs to me are that it goes through repetitively and redundantly a
specific set of movements. and those parameters are most likely the cause of the fact that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. and what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s
likely the cause of the fact that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. and what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s pretty clear that this is a bit
the u.s. government has never commented on broadstreet s documentary. yet it has denied having evidence that extraterrestrials have made contact with humans. i do know the interviews came to an end. whether the being died or was retired and i don t mean that in a spy sense of having it killed i mean retired from the interview process. i just don t know. we found out that, yeah, aliens are really real and they re here among us, there s a big portion of the population that would completely freak out. some wonder if this video and its extraordinary subject could, in fact, be real. we asked a specialist. i have no doubt that it is an animatronic puppet. glen hedrick is a hollywood makeup artist. the telltale signs to me are that it goes through repetitively and redundantly a specific set of movements. and those parameters are most
likely the cause of the fact that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. and what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s pretty clear that this is a bit of film magic.