richarard busch: i if you can ne that you i independentntly cred a a song that t s substantntiy similar toto another bubut had no i idea, had n nr hearard of the p pre-existining, it s j just purelyly coincidene- that is a a defense. natete rogers: h he didn t d y thatat he knew t the song - itit was a bigig hit but that i it was justst sometg that h he didn t p put togeth. and he thohought he hahad writn a totalllly originalal song. george h harrison lolost that e and d was requirired to pay y t ofof money. when youou have thesese discusss ababout music c copyright t c, yoyou don t hahave to provove i. thatat s sort ofof impossibl. but you dodo need to p prove ac. in t the case ofof 3lw, acceces inherent w when your s song ws on the chaharts. it wasas on trl. intervrviewer 3: p please put your h hands togetether for 3.
will own the master and any slave recordings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn n t flow. ththe attentioion doesn t t w toto the blackck creators.. it is, i in a way, h hijacked by the w white creatators. cari chahampion: litittle richchard had ofoften said,, i am thehe originatotor. he wouould say thahat all the e. and as a a kid, i dididn t knknow what ththat meant.. it didn n t really make senense to me.. but ththen when yoyou look back at ththe history y of soe
or witithout realilizing it. the e way that p people make mistatakes with accccidental plplagiaris, that s s just humaman nature. richarard busch: i if you can ne that you i independentntly cred a a song that t s substantntiy similar toto another bubut had no i idea, had n nr hearard of the p pre-existining, it s j just purelyly coincidene- that is a a defense. natete rogers: h he didn t d y thatat he knew t the song - itit was a bigig hit but that i it was justst sometg that h he didn t p put togeth. and he thohought he hahad writn a totalllly originalal song. george h harrison lolost that e and d was requirired to pay y t ofof money. when youou have thesese discusss ababout music c copyright t c, you don t t have to prprove int. thatat s sort ofof impossibl. but you dodo need to p prove ac. in t the case ofof 3lw, acceces inherent w when your s song ws
which have been for as long as recording has existed, has really been riding on the back of black talent. some recording contracts still say,y, the recorord compy willll own the m master andd any slslave recordrdings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn n t flow. ththe attentioion doesn t t w toto the blackck creators.. it is, i in a way, h hijacked by the w white creatators. cari chahampion: litittle richchard had ofoften said,,
here. part of the week. i wish audiences would stop hurling objects at the people they paid to see. this week harry styles was hit in the face by a bouquet of flowers in england and in new york, bb rexya her best f ing night of my life apparently wasn t a guy threw a phone and mid concert ended the concert. he was charged and she was taken to the hospital with laceration. if people want to boo or applaud fine. you re not allowed to take part in the act or assault people on stage. this is out of control. laura: you ve never seen a phillies game obviously because they whip stuff all the time at the games. or a jets game. laura: do you remember when they threw that shoe at poor george h were bush remember? they threw a shoe at him one