In the Middle of the Fields Takes on Cancer and the Messy Business of Living Solas Nua s empathetic in-person production of In the Middle of the Fields is staged in the middle of a field west of Dupont Circle.
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Long before the pandemic made indoor theater a relic of the time before social distancing, Solas Nua became Washington’s finest purveyor of site-specific theater, hosting shows in bars, shows on piers, and shows in private homes. The small company dedicated to contemporary Irish theater (the name means “new light” in Gaelic) is remarkably adept at finding the right space for the right p
Laley Lippard, director of “In the Middle Fields” at Solas Nua.
Starting on May 20, Solas Nua will be presenting “In the Middle of the Fields” until June 12 at P Street Beach Park in Washington, D.C. Solas Nua, which means “new light” in Irish, is an award-winning arts organization dedicated to contemporary Irish arts. It is located in Washington, D.C. and their mission is “to bring the best of contemporary Irish arts to American audience.”
“In the Middle of the Fields” was written by Deirdre Kinahan whose “Wild Sky” played at Solas Nua to sold-out audiences. She also wrote the Helen Hayes Award-winning play, “The Frederick Douglass Project.” This play focuses on Eithne, a breast cancer victim who is undergoing chemo-therapy. She wonders how the disease and recovery will affect her life. Artistic Director Rex Daugherty hopes that today’s audiences will connect with this theme as we all come out into the “fields” again after surviving the pandemic.
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In 1863, abolitionist, orator, and writer
Frederick Douglass traveled down from Rochester, New York during the Civil War determined to get a meeting with President Abraham Lincoln and he succeeded. A year later, the roles were flipped, and Lincoln wanted to see Douglass. These two meetings are the core of playwright
Richard Hellesen’s
Necessary Sacrifices, which Ford’s Theatre is presenting as a radio play directed by
Psalmayene 24. From Douglass’ extensive published efforts, we know some of the history of of what those two spoke about, including specifics about Black Union soldiers, but thanks to a mostly clever script,
Craig Wallace’s deep baritone as Douglass, and
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