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Felix Art Fair 2021 David Lynch Kayne Griffen

Felix Art Fair 2021 David Lynch Kayne Griffen
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Juxtapoz Magazine - Patrizio di Massimo: Close at Hand

François Ghebaly is pleased to present Patrizio di Massimo’s Close at Hand, the Italian-born, London-based artist’s first exhibition with the gallery..

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Wet Paint: Julian Schnabel Is Having a Baby at 70, Market Goes Gaga for Long-Dead Surrealist, & More Juicy Art-World Gossip

Wet Paint: Julian Schnabel Is Having a Baby at 70, Market Goes Gaga for Long-Dead Surrealist, & More Juicy Art-World Gossip What rock star has a secret stash of George Condo paintings? What unlikely U.S. city is being scouted by a mega-gallery? Read on for answers. May 21, 2021 Julian Schnabel at the LongHouse Reserve Summer benefit in East Hampton, New York. (Photo by Sonia Moskowitz/Getty Images) Every week, Artnet News Pro brings you Wet Paint, a gossip column of original scoops reported and written by Nate Freeman. If you have a tip, email Nate at [email protected]   THE SCHNABEL CLAN GETS SCHNABELIER

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The Gray Market: Why the Art World Needs a Clear Marker for What the 'End of the Pandemic' Means (and Other Insights)

This week, trying to gauge the distance to the finish line…   MEET ME AT THE CROSSROADS Last week, a head-on collision between good and bad news led close watchers of the pandemic to investigate whether the US (and perhaps the wider world) has reached the most pivotal intersection in the saga to date… and if so, whether we’re poised to make the right or wrong turn as we cross the border from winter to spring.  But when it comes to projecting the art industry’s timeline for full re-emergence from lockdown, we would be wise to note what several health experts are stressing in unison: the way various constituencies choose to

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Juxtapoz Magazine - Ludovic Nkoth "Don't Take This Too" @ François Ghebaly Gallery, Los Angeles

Ludovic Nkoth Don’t Take This Too @ François Ghebaly Gallery, Los Angeles François Ghebaly Gallery // January 26, 2021 - February 27, 2021 February 10, 2021 | in Painting Don’t Take This Too, the Cameroonian-born, New York-based painter’s first major solo exhibition. Don’t Take This Too introduces viewers to Nkoth’s distinctively swirling brush, his layered, vivid palette, and his iconography of figures drawn from both fantasy and memory. Each canvas starts with a wash of pigment that flows in swaths of vivid color, over which Nkoth defines the subject’s posture and features, allowing the initial sprawl to shine through as an inner iridescence. Constructed of fluid, twisting contours, Nkoth’s figures often look captured in the process of formation, reached for as one reaches for a half-collapsed memory or a dream upon waking.

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