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Interview: Jane Schoenbrun on I Saw the TV Glow

Through the looking glass: the director of the Sundance sensation talks about making a new kind of trans cinema, recreating '90s television, and finding beauty in horror

United-states
Utah
Alice-maio-mackay
Jane-schoenbrun
Joel-schumacher-batman
Isabel-sandoval
Maddy-brigette-lundy-payne
Justice-smith
Eric-yue
Helena-howard
Isabel-helena-howard
Catelyn-maclay

"I Am a Genius!"

Walking on water: A selection of newly restored films make clear the continuing relevance of the work of Lorenza Mazetti, a long-unheralded artist who exerted a strong influence on her peers in Britain’s Free Cinema movement of the 1950s and ’60s

Portugal
Rome
Lazio
Italy
United-kingdom
London
City-of
Batalha
Lisboa
British
Italian
Portuguese

Ordinary Magic

Born again: Phạm Thiên Ân’s hypnotic debut feature Inside the Yellow Cocoon Shell is a formally breathtaking meditation on faith and a testament to cinema as a vehicle for miraculous transformation

Vietnam
Republic-of
Saigon
H-chíinh
Carl-theodor-dreyer
Apichatpong-weerasethakul
Genevieve-yue
Film-materiality-fordham-university
Film-comment-letter
Yellow-cocoon-shell
Yellow-cocoon
Central-highlands

Double Impact: Soi Cheang's Limbo and Mad Fate

Gut check: the latest pair of films from Soi Cheang, a Hong Kong genre master little known in the U.S., demonstrate the sleek blend of existential bleakness and technical wizardry that characterizes his cinema

United-states
Hong-kong
America
Monkey-king
David-richardson
Gordon-lam
Louis-koo
Cheng-siu-keung
Los-angeles
Lokman-yeung
Soi-cheang
Film-critics-association

Interview: Felipe Gálvez on The Settlers

Don’t look away: the director discusses his debut feature, a disquieting critique of the colonial history of Chile by way of the grand cinematic idiom of the Hollywood western

Tierra-del-fuego
Chile-general
Chile
Paris
France-general
France
United-states
Santiago
Regióetropolitana
Chilean
American
Sergio-leone

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