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Meet the 12 recipients of the Future Theatre Fund Nick Curtis
Theatre has always been a vital component in the Evening Standard’s reporting of London, the association cemented by the foundation of the paper’s annual Theatre Awards in 1955. Last year, with playhouses shuttered and the awards (and ES Magazine’s special issue) unable to go ahead, thoughts turned to how best we could support an industry in crisis.
There was some help available to buildings and companies to stave off closure, and eventually to the freelancers who make up 70 per cent of theatre’s workforce. But what about the next generation, who should inject the industry with vital new blood but were instead emerging into a wasteland?