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HSF advises on purchase of transmission link for Scotland's largest offshore wind farm

Crombie's very entertaining history lesson | Canberra CityNews

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The NSW government’s Dine and Discover vouchers can now be used until July 31. Here are the pick of upcoming shows to help you choose.

The 7 Stages of Grieving review: Hope harmonised with pragmatic note

The 7 Stages of Grieving is like a booster-shot we need every few years.

The 7 Stages of Grieving review – Elaine Crombie gives a singular performance in show that swings to outright activism

Last modified on Tue 25 May 2021 22.10 EDT Elaine Crombie stands on a black box stage, surrounded by midden shells on mounds of black earth, her hands clasped in tension. The rage is there in this singular woman’s emotionally affecting performance – and so is the grief. Crombie, a Yankunytjatjara, Warrigmal and South Sea Islander woman with German ancestry, speaks English and Kamilaroi in this one-woman play, The 7 Stages of Grieving. She finds the sharp rhythm in the poetry of invasion: “My children, stolen away to a safe place, were wrenched from familiar arms and forced to feed upon another tongue.” As the latest actor to embody the role of this unnamed everywoman, written by Wesley Enoch and Deborah Mailman and first performed by Mailman in 1995, Crombie blends the skills of her dramatic, comedic and singing career with the scars of her own life, both as a daughter of the stolen generations and as the mother of sons whose skin colour renders them police tar