it s also home to allegory of inclination, painted by the pioneering 17th century female artist artemisia gentileschi. and there s more to her than meets the eye. she wasn t always covered by a veil. this is the first frontal nude ever painted by a woman artist, so she was a groundbreaker. however, michelangelo the younger s nephew, who inherited the home about 50 years later, felt that the painting was too naughty to be seen. and so he called in a famous baroque artist, and he covered up the naughty bits with the drapery. last year, the portrait came down from its position in the ceiling so that it could be restored. but this is no ordinary restoration project. now, centuries after the painting was censored, technology can reveal how
i think she just had multiple personalities, and i think this is why i liked her. from the pirate of the 80s, the romantic, the 90s, very glamorous and voluptuous, presenting the woman on a pedestal, and 2000, showing a lot of body, less print, more about all the drapery, i think that vision is so famous for drapery and showing the body off. and what about her legacy? will these designs endure, do you think? i think so. the thing that i love about westwood is that she always used the past and created something new and i think that is very smart because we all can create new ideas, but when there is a solid base, like she used a mediaeval pieces all those gowns made of the 1600s, 1700s all this construction there is a link through history and by looking at her clothing we don t only see fashion of today but we can see the history through the century and i think this will make it
couture, didn t she? yeah, from that very fancy blue to the punkish, plain galaxy print. i think she just had multiple personalities, and i think this is why i liked her. from the pirate of the 80s, the romantic, the 90s, very glamorous and voluptuous, presenting the woman on a pedestal, and 2000, showing a lot of body, less print, more about all the drapery, i think that vision is so famous for drapery and showing the body off. and what about her legacy? will these are designs endure, do you think? i think so. the thing that i love about westwood is that she always used the past and created something new and i think that is very smart because we all can create new ideas, but when there is a solid base, like she used a mediaeval pieces all those gowns made of the 1600s, 1700s there is a lead through history and by looking at her clothing we don t only see fashion
Peter Turner is an interior designer with an artistic eye, diverse skill set and plenty of irons in the fire in the Marathon community that he has called home for