but the idea is that the process was flawed from the outset. i can concur with mike s assessment about the introduction of sopa. we were under the impression it would represent a more sane approach to some of the issues that protectip was trying to resolve and that was not the case. we are talking about a stakeholder community that is much broader than anyone in washington has ever considered before. i mentioned tocourt in my remarks. it is a platform that allows artists to distribute to itunes, amazon and all of streaming services. they re executive just told me they distribute more music in one month than all the major record levels due combined in a one hundred years. these are copyright holders. these folks have to understand they have rights as well and they may not be reflected perfectly and proposed legislation. it won t happen overnight. when you have a small nonprofit like future music coalition versus i don
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