yeah. ..likeable, but also deeply unlikeable. 0h, a nightmare! an absolute nightmare, yeah! so is that important to you, that.? you know, male leads for forever have been complex men and we understand their backstories and there s a lot of sort of nuance in there. do you insist now that the women you write have just as much right to nuance and complexity? 0h, of course, absolutely. and, yeah, iam really proud of that. i love writing characters like shiv and suzie pickles, who s played by billie piper. but also there s a need for it, because there s a lot more television than there ever has been before and we need to sort of expand what we re doing within that. is the audience ready for it? yeah, i hope so. i think they re quite hungry for it. as you said, there s been quite a lot of a dissection of a certain kind of masculinity for a long time brilliantly, with some of the greatest works of art of all time and i think we rejust
of expand what we re doing within that. is the audience ready for it? yeah, i hope so. i think they re quite hungry for it. as you said, there s been quite a lot of a dissection of a certain kind of masculinity for a long time brilliantly, with some of the greatest works of art of all time and i think we re just about at a point where we can start to dissect the idea of femininity as much, with as much nuance, criticism, celebration, as all of those things as well. and that s what makes good art, notjust sort of, you know. ..putting women on screen, but having them just be lovely and undramatic, that doesn t help anybody. and i hate suzie was an extremely female centric production, wasn t it? yeah. imean. at every level acting, producing, directing, the whole thing. totally. it was a really rare experience because we had heads of department. all of our heads of department were women. so you had a really interesting set, which was. i d never been on a set like that before. normall
yeah, i hope so. i think they re quite hungry for it. as you said, there s been quite a lot of a dissection of a certain kind of masculinity for a long time brilliantly, with some of the greatest works of art of all time and i think we rejust about at a point where we can start to dissect the idea of femininity as much, with as much nuance, criticism, celebration, as all of those things as well. and that s what makes good art, notjust sort of, you know. ..putting women on screen, but having them just be lovely and undramatic, that doesn t help anybody. and i hate suzie was an extremely female centric production, wasn t it? yeah. imean. at every level acting, producing, directing, the whole thing. totally. it was a really rare experience because we had heads of department. all of our heads of department were women. so you had a really interesting set, which was. i d never been on a set like that before. normally, when you work on a television set or a film set, what it feels like
yeah, i hope so. i think they re quite hungry for it. as you said, there s been quite a lot of a dissection of a certain kind of masculinity for a long time brilliantly, with some of the greatest works of art of all time and i think we rejust about at a point where we can start to dissect the idea of femininity as much, with as much nuance, criticism, celebration, as all of those things as well. and that s what makes good art, notjust sort of, you know. ..putting women on screen, but having them just be lovely and undramatic, that doesn t help anybody. and i hate suzie was an extremely female centric production, wasn t it? yeah. imean. at every level acting, producing, directing, the whole thing. totally. it was a really rare experience because we had heads of department. all of our heads of department were women. so you had a really interesting set, which was. i d never been on a set like that before. normally, when you work on a television set or a film set, what it feels like
it through and that is why it is important to me to make sure this bill got through. i know a lot more about it than he thinks i do because i had a lot of evidence from when i ran two years ago and there s a lot more suicide from children that get into their 20s from getting it done too soon and i wanted to go back to originally what they were. laura: said the bill needlessly harms a very small population of vulnerable children. i expected courts to throw this out as unconstitutional. your reaction, quickly. es to get some of the evidence that i have got when i ran to build two years ago because there s a lot of drama going on, i ve got a lot of emails begging me to make sure this bill passes and that his wife worked so hard on dissection. a guy killed in the senate and i went to my senate president and asked if we can please get in the other committee.