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The Eclectic Lives BehindAlice Neel's Portraits - The New York Times

The Eclectic Lives BehindAlice Neel's Portraits - The New York Times
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Alice Neel, our contemporary | Apollo Magazine

Apollo. Preview and subscribe here. If you’re looking for the opposite of social distancing – and who isn’t, these days? – then Alice Neel is there for you. There, that is, at the Metropolitan Museum of Art, which has recently opened a full-scale survey of this greatest of 20th-century portraitists (‘Alice Neel: People Come First’; until 1 August). Go if you can, and revel in the sheer presence of so many unmasked faces, so many interesting humans – the encounter with each one unforgettable. The timing of the show could not be better. Newly decamped from the Breuer building on Madison Avenue, and finally emerging from months of reduced visitation, the Met – again, like all of us – could use a shot in the arm. Neel most definitely provides it. Over the course of her long career, she was wildly out of step with prevailing tendencies. Only now are we finally catching up to her, at last able to see her paintings as the bracingly essential works that they always have

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Mail art may be the perfect pandemic art form

Mail art may be the perfect pandemic art form  Learn more about the history of the movement in a retrospective at Winter Park s CFAM One of several excellent exhibitions currently on display at Rollins College s Cornell Museum, Pushing the Envelope: Mail Art from the Archives of American Art looks at the secret history of mail art, an anti-fine art movement in which artists, art enthusiasts and conceptual pranksters around the world used the postal service to collaborate and disseminate works far beyond the reach of the gallery or the academy. Pushing the Envelope is curated by Miriam Kienle, an assistant professor of art history at the University of Kentucky, with the help of some of her intrepid students, with materials sourced from the Smithsonian s extensive holdings. The exhibition has been displayed at the Smithsonian Institute of American Art and other museums, and arrives at Rollins College at an oddly appropriate time.

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A $9.8 Million Auction of Works by Christo and Jeanne-Claude and Their Artist Friends More Than Doubled Its Estimate at Sotheby's Paris

The auction offered an eclectic mix of work by the artists and those in their inner circle. February 18, 2021 Christo and Jeanne Claude at their 48 Howard Street studio in New York. Photo by Wolfgang Volz © The Estate of Christo V. Javacheff A sale of works from the collection of the late artists Christo and Jeanne-Claude was a resounding success at Sotheby’s Paris today. The “white-glove,” or completely sold out, live sale 28 of works including blue-chip pieces by the artists’ friends as well as their own preparatory works took in a total of $9.8 million (€8 million), more than double the presale estimate.

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First Paris sale of Christo and Jeanne-Claude's art collection brings in nearly $10m

First Paris sale of Christo and Jeanne-Claude's art collection brings in nearly $10m
theartnewspaper.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theartnewspaper.com Daily Mail and Mail on Sunday newspapers.

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