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Last modified on Tue 11 May 2021 05.02 EDT
The daylight streams in through Tate Modernâs big windows perfectly illuminating the novelist Balzac. His face is angry and stern, his body swathed in a massive, shapeless gown. This lack of defined form is exactly what horrified Parisians when Rodinâs full-sized plaster model for a monument was unveiled in 1898.
For the novelist and art critic Ãmile Zola, Rodin was the perfect artist to make a monument to the sprawling chronicler of politics and modern life, and he helped him get this prestigious commission. But when Rodin exhibited the model, all hell broke loose. Looking at its bizarre presence, I see why Rodin could be regarded as the founder of modern sculpture.
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