watching how this little feature develops. could bring some potentially very strong winds as well as the rain. rain is really a morning feature, something from west to east and some of that will be on the heavy side. clearing away from east anglia and the south east early afternoon then sunshine and heavy showers packing away but then the winds could be a problem. these are the average wind speeds, gusts much higher, potentialforsome the average wind speeds, gusts much higher, potentialfor some in the west, 60-70 higher, potentialfor some in the west, 60 70 mph gusts and we will keep you updated with that but feeling pressure through the day, as it will do for the end of the week with sunshine and showers. they are not. thank you very much. thank you very much. and that s bbc news at six on monday, 3rd october. you can keep up with all the latest developments on bbc website. from the six team, it s goodbye. the news continues here on bbc one, as now it s time to join our i
hello, and a very warm welcome to the film review on bbc news. as ever is mark kermode. hi, mark. very interesting week. we have don t worry darling eagerly awaited after all the stuff that went on in venice. we have blonde, which may be a marilyn monroe biopic, or maybe not. and catherine called birdy, a medieval tale with a difference. oh, i thought it was a biopic, but anyway, more on that later. ok, so don t worry darling, which is a new film by olivia wilde, who made booksmart, which i loved. florence pugh and harry styles are alice and jack chambers. they live in a kind of absolutely rarefied, dreamy, late 50s, early 60s americana, you know, glistening cars, mad men suits, fabulous dresses. the wives stay at home and prepare the house and cook the meals and wait for the return of their husbands, who are out doing work which cannot be spoken of when they come back. and florence pugh s character seems to think this is idyllic and wonderful. and then, one of her friend
americana that doesn t exist and isn t real. and here s the thing it s basically the stepford wives. the difference is the stepford wives at the beginning of the stepford wives, you think, ok, you know, is there something off kilter? you can t quite figure what s wrong with it. in the case of this, from the beginning, it is absolutely clear that this is an artificial world, that none of this can be what it seems, that somehow, they re in a bubble or an illusion. now, florence pugh works wonders making the character of alice engage you, so that even though she s in this completely artificial environment, you believe in her character and you engage with her character. harry styles, he s fine. there ve been some sort of cruel things said about his performance. it s ok. it s staggeringly unremarkable. the problem is that you very quickly figure out there s one of a number of possible scenarios that are the solution to how this is all happening, and then when it s revealed. 0k,
come with us. we re heading for the valley. going where? did you say? mexico. all the way down. you going all the way to mexico tonight in this old heap of junk? reckon the town will get along without us tli monday? oh, i reckon. i was young enough to bounce that far, i d go with you. the last picture show was a movie that, however old i was when i saw it, i said, oh my god this movie is about me. this movie is about us. this movie is about america as we are right now, here in the mid- 70s, not as we were back in the early 1950s. do you think the last picture show is a john ford type movie? no. i think it s a peter bogdanovich type movie. peter bogdanovic loved movies, had a sense of movie history, but had a very strong sensibility. he spoke to a new generation, both visually and emotionally. orson welles read the script. and i said, i d like to get that depth of feel, everything being sharp, the way you did in citizen kane, touch of evil.