It comes as ee is fined for overcharging Tens Of Thousands of customers who called its Customer Service number. Well have more details on that shortly. Do get in touch on all the stories were talking about this morning. Use the hashtag victoria live and if you text, you will be charged at the Standard Network rate. Our top story today. The Foreign Secretary has said countries are queuing up to sign free trade deals with britain when it leaves the European Union. Borisjohnson also suggests that agreements could be achieved quickly after the article 50 negotiations are concluded, and said the uk would not be hauling up the drawbridge, despite the new Migration Controls promised by theresa may. Our Political Correspondent tom bateman has more. Theresa mays Brexit Speech brought the most clarity yet on her approach to the negotiations. She told ministers and european diplomats she wanted ambitious trade deals with the rest of the eu, but she confirmed britain would leave the unions formalf
Cooper is a security researcher and Senior Staff Technologist with the EFF Threat Lab. He has worked on projects such as Privacy Badger, Canary Watch, and analysis of state sponsored malware campaigns such as Dark Caracal. He has also performed security trainings for activists, non profit workers.
Another project,
Prison Landscapes (2012)
by Alyse Emdur, documents the freedom-evoking backdrops, such as tropical beaches and waterfalls, which prisoners are allowed to pose in front of for photographs when family and friends visit. Inspired by her conversation with Emdur, Nestor is optimistic about the project’s role in giving prisoners visibility on their own terms but also wonders if it perpetuates ‘yearning or a false sense of hope’.
Alyse Emdur,
State Correctional Institution - Graterford, Pennsylvania, 2012. Courtesy: the artist
As the writer negotiates this complex moral terrain with sensitivity, asserting her understanding ‘of the fine line between “research” and voyeurism’, she implicates the reader in this very act of looking. The consequences of such representations, she suggests, should not only be the concern of artists but of all those who engage in sensationalist penal spectatorship, such as true crime dramas. Nestor makes the case for those who