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Delporte looks at herself from the panoramic distance of time and perspective, to witness her life through the eyes of her new self and identity. It opens with a desire to “overwrite” the man-made images of lesbians; the rest of the book shows her reckoning with the misogynistic culture that shaped her and her embodied experience.
The title of the film accurately reflects the sense of floating, frustrated inertia that envelops Ann, a feeling of being suspended between phases of life without any clarity on what, if anything, is coming next.