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Alexander Gray Associates opens 'Lorraine O'Grady: Body Is the Ground of My Experience'

a href= http://www.alexandergray.com target= blank Alexander Gray Associates /a , New York presents Lorraine O’Grady: Body Is the Ground of M

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History without text: Telling stories through embroidery, botany and medals

History without text: Telling stories through embroidery, botany and medals
bworldonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bworldonline.com Daily Mail and Mail on Sunday newspapers.

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Arts & Culture (11/24/21) - BusinessWorld Online

Arts & Culture (11/24/21) - BusinessWorld Online
bworldonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bworldonline.com Daily Mail and Mail on Sunday newspapers.

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Elvira Dyangani Ose appointed Director of MACBA

Elvira Dyangani Ose appointed Director of MACBA Elvira Dyangani Ose is currently Director and Chief Curator of The Showroom in London. Photo: Josep Lago. BARCELONA .- Elvira Dyangani Ose (Córdoba, 1974) will be the first woman to hold the position of Director of the Museu d’Art Contemporani de Barcelona. She is currently Director and Chief Curator of The Showroom in London, as well as Lecturer in Visual Cultures at Goldsmiths, University of London, and a member of the Thought Council, Fondazione Prada. She has previously been Curator of the Göteborg International Biennial of Contemporary Art; Curator of International Art at Tate Modern, London; Artistic Director of Rencontres Picha - Lubumbashi Biennial, Democratic Republic of the Congo; Curator of Contemporary Art at the Centro Andaluz de Arte Contemporáneo (CAAC), Seville; Senior Curator at Creative Time in New York; and Curator of Contemporary Art at the Centro Atlántico de Arte Moderno (CAAM) in Las Palmas, Gran Canaria.

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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   by Thomas Rogers (NYT NEWS SERVICE) .- For almost 20 years, Werner Kohl has followed the saga of the Humboldt Forum. Like many Germans, he has been watching and listening since 2002, when the government approved a plan for the huge new cultural attraction in Berlin. That’s nearly two decades of debate, protest, overspend and delay. So on Tuesday evening, when he finally stood in the building’s darkened exhibition spaces, he was thrilled, he said. “I’ve been looking forward to this day from the beginning,” Kohl said. “I’m here to see if it delivers on what it proposed.” Kohl, 63, was there to see “Terrible Beauty,” a temporary exhibition of ivory artifacts ranging across 40,000 years. It was one of six inaugural shows in the Forum, which brings together several museum collections in a reconstructed Baroque palace. Located on the site of the demolished East German Parliament and conceived as Germany’s equivalent to the Louvre, the Hu

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