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Getting to Know Drew Durrant of Yellowstone Playhouse

Getting to Know Drew Durrant of Yellowstone Playhouse Share This EastIdahoNews.com is highlighting hardworking people who make our local businesses a success. Every Sunday, we’re Getting to Know YOU! 1. Name and Job Title: Andrew “Drew” Durrant Owner, Yellowstone Playhouse in beautiful Island Park, Idaho. 2. What do you do in your position? I am the managing partner of our two theater locations. In addition to the day-to-day operations of the playhouses, I write, direct, and act in our family-friendly musical spoofs. 3. Where were you born and when is your birthday? Born and raised in West Jordan, Utah. June 28. 4. How long have you lived in eastern Idaho and what city do you live in now? Moved to Rexburg, Idaho to attend BYU-Idaho in the fall of 2002. Lived in eastern Idaho full-time from 2002 to 2012. Since 2015, we have enjoyed our summers working in Island Park.

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Capitol Theatre announces Allison Girvan new Box Office Manager

by Nelson Daily Staff on Sunday January 17 2021 Allison Girvan, who has come full circle at the Capitol Theatre, is now the new Box Office Manager for the local theatre arts facility on Victoria Street in Nelson. Girvan also assumes the Assistant Manager position. Girvan, who first worked at the Capitol Theatre in 1987 through a student summer works program, brings a passion and understanding of the performing arts in the Heritage City to the new job. “The Capitol Theatre has held my heart since my first experience in it when I was 19 years old,” said Girvan, who made the Heritage City the permanent home in 1996.

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Theatre faces to look out for in 2021

© Dan Wooller for WhatsOnStage Every year we do what we describe as a theatre faces to watch feature – a round-up of some of the most exciting new creatives making waves across the performing arts world. These have included writers, directors, sound designers, performers, designers, composers and more. If we do say so ourselves, we have a bit of a track record with some great picks – those listed have often gone on to achieve exciting things. This year though, it s different. Our arts world has taken a bit of a bruising and though the Cultural Recovery Fund certainly did prop up venues and keep lights on (even when they had to be flicked off and back on with the fluctuating tier guidance), our freelance cohort, in particular, has been deprived of assistance and left to make do where possible.

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