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The Joy That Carries You at Olney is a gem of the theater season

Until the Flood at Studio Theatre joins a national conversation about police killing Black people

Until the Flood Video Production: Studiio Box DC Just in time to join the vigorous national conversation about police killing Black people, Studio Theatre presents a nimble, penetrating production of Dael Orlandersmith’s Until the Flood (★★★☆☆). Orlandersmith based the 2016 commission, described as “quasi-documentary theater,” on interviews she conducted with residents of Ferguson, Missouri, and surrounding areas of St. Louis County, after the 2014 death of teenager Michael Brown, shot by police officer Darren Wilson. Reimagining Orlandersmith’s solo play as a chamber piece for three actors, Studio associate artistic director Reginald L. Douglas, making his company directorial debut, casts Felicia Curry, Ora Jones, and Billie Krishawn as eight composite characters who animate this insightful snapshot of a citizenry divided. It’s common to say, but utterly true, that beneath the surface there’s more that connects these people than they either realize or adm

Studio Theatre hopes to spark a conversation about race with play inspired by the shooting of Michael Brown

Studio Theatre hopes to spark a conversation about race with play inspired by the shooting of Michael Brown
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Theatre Review: The Devil s Disciple presented by Washington Stage Guild

Theatre Review: The Devil s Disciple presented by Washington Stage Guild
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Online festival highlights the powerful plays of undersung dramatist Adrienne Kennedy

Online festival highlights the powerful plays of undersung dramatist Adrienne Kennedy Peter Marks, The Washington Post Dec. 17, 2020 FacebookTwitterEmail 1of6Billie Krishawn, left, and Heather Gibson in Ohio State Murders. Round House TheatreShow MoreShow Less 3of6 4of6Kim Bey, left, and Deimoni Brewington in Sleep Deprivation Chamber. Round House TheatreShow MoreShow Less 5of6Rex Daugherty and Billie Krishawn in Kennedy s Ohio State Murders. Round House TheatreShow MoreShow Less 6of6 The final words of the play, uttered by a woman who has suffered unspeakable horror, struck me so powerfully that I had to replay them on my laptop several times. And that, she says, is the main source of the violent imagery in my work.

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