i don t want one. no, they re good. i don t want it. what do you want? you want comedy. take one. no, kramer, stop it! and boom, there you go. a situation comedy. there s 23 minutes of magic. it s so tasty, too! you fell in love with these characters. what you talking about, willis? we need to laugh at ourselves. you hide my clothes, i m wearing everything you own. laughter opens you up. okay, ready? no! no! things that we might be afraid to talk about. some people that were supposed to protect us didn t do the right thing. like racism. so cops are the bad guys? yes. no. class wars. and gender diversity. hi, girls. you can reach in and really touch people s hearts. i hate you. are you as turned on as i am? more! whether it s a family living under the same roof dynomight! now that s the kind of talk i like to hear. or gathered together in a workplace. that s a glue stick. all the great sitcoms are about fami
what have we always said is the most important thing? breakfast. family. family. yeah. family is key to the sitcom mama! it s something that we all can relate to. shake, shake, shake up the in these people s homes for years. you re a part of the family. one good thing about moving here is i have no friends and no distractions. that s why i got all grandma, what does fonzie say? hey. the family sitcom brings people together in a really unexpected way. there s so many different dynamics at work in families. i want you here. it will give us a chance to get reacquainted. that implies we are acquainted at one point. there s a lot of pain. a lot of laughter. you sort of recognize your dynamic in there and go well, their family s just as crazy as mine. i don t care who kissed who and who s got a pimple on her head and who is wearing an outrageously inappropriate dress. we are going to get together and act like a normal family for one tenth of
jerry: where d you get those? kramer: the machine. you want one? jerry: no. henry winkler: you come home, turn on that television. kramer: take one. jerry: i don t want one! kramer: no there good. jerry: i don t want it. henry winkler: what do you want? you want comedy. kramer: take one! jerry: no! kramer stop it! jason alexander: and boom, there you go, a situation comedy. sheldon: bazinga! tim allen: this twenty -three minutes of magic. lucy: it s so tasty, too! tracy morgan: you fell in love with these characters. arnold: what chu talkin about willis? geri jewell: we need to laugh at ourselves. joey: you hide my clothes, i m wearing everything you own. constance wu: laughter opens you up. haley: okay ready? surprise! [screaming and chaos] mara brock akil: the things that we might be afraid to talk about. bow: some people that were supposed to protect us didn t do the right thing. tim reid: like racism. son: so the cops are the bad guys? dre: yes. bow: no. kim fields: cla
after that, we start to see more perspectives, new perspectives, fresh perspectives. louis: you re going to love orlando. i ve grown to love it like the daughter we wished evan had been. constance wu: in fresh off the boat, an asian american story centers the narrative as opposed to being like the butt of the joke. teacher: i d like you all to give a warm welcome to. hung, gee. (struggles with name.) eddie: yeah, call me eddie! teacher: oh thank god. constance wu: it s about an asian-american family that moves from a multi-cultural city to a very white suburban town. deirdre: oh hi! welcome to the neighbourhood. i m deirdre, this is amanda, this is samantha, this is lisa. constance wu: it was a really good window into how mainstream culture could feel strange to somebody else. randall park: fresh off the boat made a major impact in
and breathe life back into the family sitcom. after that, we see more perspectives, new perspectives. you are going to love orlando. i learned to love it as the daughter that we wished evan had been. in fresh off the boat an asian-american story centers the narrative, as opposed to being the butt of the joke. class, i want you the give a warm welcome to yeah. call me eddie. thank god. it s about an asian-american family that moves to a very white suburban town. welcome to the neighborhood. i m deirdre. it was a good window into how mainstream culture could feel strange to somebody else.