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No great women artists? How Linda Nochlin tore apart the art historical narrative 50 years ago

“Why have there been no great women artists?” It is a silly question, really, and the art historian Linda Nochlin (1931-2017) certainly thought so when a male gallerist put it to her. She responded with a passionate and provocative essay published in 1971 as part of a controversial issue on “Women’s Liberation, Women Artists and Art History” in the journal ARTnews. The essay was preceded by the strapline: “Implications of the Women’s Lib movement for art history and for the contemporary art scene or, silly questions deserve long answers.” In roughly 4,000 words, Nochlin dismantled the question to reveal the assumptions that lie behind it, as well as the answer it surreptitiously supplies: “There are no great women artists because women are incapable of greatness.”

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The Paris Review - Blog Archive The Paris Review Staff's Favorite Books of 2020

Don Mee Choi. Photo: © SONG Got. Courtesy of Wave Books. It’s a cliché to say that reading transports you, but in a year in which I spent most of my days indoors, shuffling between my bedroom and my living room, the books I read really were a lifeline, a portal to an outside world. In the weeks before New York shut down, I luxuriated in my subway reading, laughing aloud at Alma Mahler’s antics in turn-of-the-century Vienna in Cate Haste’s biography Passionate Spirit, savoring the deceptively calm sentences of Amina Cain’s fabular Indelicacy, and texting photos of paragraphs from Abdellah Taïa’s sharp exploration of immigration, colonialism, and sexuality,

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