A vital American Folk Art Museum show reckons with centuries of erasure by uncovering historical records of the unnamed Black people depicted in artwork.
In his new book, "Warhol After Warhol: Secrets, Lies, & Corruption in the Art World" (Pegasus Books, out now), Richard Simon tells of Joe Simon's years-long quest to prove his "Red Self-Portrait" by Andy Warhol was real.
In addition to its impressionist matchup “Manet/Degas,” the Met unveiled Lauren Halsey’s spectacular new rooftop installation. Our critics weigh in on this year’s most thrilling shows.