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Bard in the Botanics, Glasgow Shakespeare’s play on the unreliability of appearances works well in the wings of a theatre, but this 90-minute streamlining perhaps cuts too much Merry confusion … Jennifer Dick as Count Orsino in Twelfth Night. Photograph: Tommy Ga-Ken Wan Merry confusion … Jennifer Dick as Count Orsino in Twelfth Night. Photograph: Tommy Ga-Ken Wan Sun 11 Jul 2021 19.01 EDT You can see why director Gordon Barr chose to set Twelfth Night in the wings of a theatre. Heather Grace Currie’s design – all ropes, dressing-room lights and velvet curtains – places Shakespeare’s comedy in a world of pretence. All it takes is a new costume from the wardrobe, and your identity has changed.

Glasgow cityUnited kingdomGordon barrAndrew aguecheekAlan steele malvolioNicole cooperTwelfth nightGrace currieJennifer dickStephanie mcgregorAlan steeleSir andrew aguecheekகிளாஸ்கோ நகரம்ஒன்றுபட்டது கிஂக்டம்கோர்டந் பார்நிக்கோல் கூப்பர்