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A life-size recreation of Bedroom in Arles, part of Van Gogh: The Immersive Experience at Skylight on Vesey Street in New York, June 5, 2021. Two immersive van Gogh exhibitions make a critic reflect on her encounters with his paintings and question what it means to have an intimate connection with an artist. Sam Youkilis/The New York Times.
by Maya Phillips
(NYT NEWS SERVICE)
.- In 2017, I took a trip to Paris, where I greedily took in as much art as I could. In one of the cavernous chambers of the ornate Musée dOrsay was the Vincent van Gogh exhibition, his framed works (Starry Night Over the Rhône, Bedroom in Arles, The Church at Auvers, a number of his self-portraits) set against a brazen sapphire background rather than the usual chaste white museum walls. Ive had a poster of Starry Night, gifted to me by a college friend, since my undergraduate dorm days. It hangs framed in my bedroom today. At Musée dOr
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Pursuits
3812 Gallery’s Calvin Hui on pioneering Chinese painters, ‘After Nature’, and his HK Art Week highlights Share
The veteran gallerist and connoisseur of contemporary Chinese art speaks to
Prestige about upcoming exhibitions, a change in 3812’s business premises, and the galleries he’s looking forward to visiting this week.
As day 1 of Hong Kong’s major for-profit art fairs (namely Art Basel and Art Central) rolls to a close, we take a moment to chat briefly with Calvin Hui the latest face in our curated series of art month interviews. An avowed expert in contemporary Chinese art (notably in the areas of ink and acrylic painting) Hui is celebrating 10 years this May of 3812, the gallery he co-founded with Mark Peaker that is present in Hong Kong and London.
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