Despite having to halt her own tour in March, Potter made her electric onstage presence hard to ignore: For six months, she livestreamed Twilight Hour concerts every Monday, attracting over 300,000 views — more than 13 times the number of fans she would have reached by the end of her live tour. “To see her cover Led Zeppelin or get her Flying V [guitar] out, and then also concentrate on [new album
Daylight] — it all came together to remind people of what a force Grace Potter is,” says Stephanie Hopson, project manager at Potter’s label, Fantasy Records.
Though HAIM had to cancel the majority of its shows set at Jewish delis across the country promoting