Well Louise that may be on vacation but John Hodgman is here he's going to be in tomorrow evening at 9 o'clock with Blue Monday Micronesia right here on this very same station 9 o'clock tomorrow evening make it a date you will really enjoy the show Blue Monday Micronesia used to be sort of centered around blues but now it's more aware or where are John's fancy takes him whether he's funk refining your life or he's pulling out material that hasn't been heard in a very long time since it material originally came out he's finding. Rare recordings and bringing them to you and stuff it just is sheer musicianship. And coming from a musician. His sensibilities and so I tune in tomorrow morning 9 o'clock for Blue Monday Micronesia right here on public radio and welcome back to jazz on the 7th day I'm Jerrold Haggerty I'm your host here every Sunday evening until 11 o'clock to bring you the best in classic chair out start this hour with some Billy Eckstein. Birthday falls in the 1st. 3rd of the month of July and so on to bring him forward and it just seems. So well maybe it's just sort of the way it is because. We heard Louis Armstrong's 126 in 1038 and then we picked up 139 Louis Jordan and and this timpani 5 up until. October of $146.00 in the last set we're going to start here. This hour in the same general time for many of $145.00 still. In the in the thick of it of World War 2. Just about to have well. Ve day already but v.j. Day another 4 months on and this was the music of Billy Eckstein and his orchestra that included fats Navarro in the trumpet section who also is here by Johnson and Sonny Stitt on alto saxophone Gene Ammons and to Dexter Gordon on tenor saxophone and he'll Parker on baritone sax John Molokai piano. Art Blakey on drums among others. And. To do it to Felix to explain. The doubling of the minimum we're in the middle because I live in Bother have little to do with the anything to make it's way to handle the new the political will in the back of the bowling ball there is little to little to do to go to the bottom of the case that b.s. When that ridiculous little you don't have a chance you'll find it brutal when they make you never think about Roumania will still get a little rest any kind of you think it's a little bottle till the road or anything you make it plain. That if you. Run at it in that other the other planets move a little bit. Of living it will be out of it will be able to be able to heat up the net a little bit earlier the little girl headed to the plant that ruined her leg and editing a bottle of. Water it lit up until the bitter root of all blew that day to. Get it in this is. To a. Little and then look at n n n n n n going to. Sit through to see if you see anything else. The end. Of it to. The end. You meant. That if you said if you. Can't handle and the am. Not going to do that will says the best thing to build a bundled up thing is a thing you. Thank . You. You're. Both love. Our world view. World does it. In your world. You mean you. Lurline. You. Earlier. By. Weekend. You. Threw you the clue. You. Can't. Oh. You'll. Love. When you can et. Elim. Live. Live. Live. Live. Look. At least slowly. Still. Listen to this. Live. At least live. Live live. Live. Live live. Live. Live live. Well. My guess is the law was. To the mom. With the 50. Dollars dollar gold. Routine Montcalm. We go to our older son and stop to pull out more. She wants to know. Everything be done with this school never be. Suppose a baby should come later it's gonna look like a mallet No Mom please rescue. I'm not an easy guy to do. Things that. Go. Just fall. This last. Cd you know platform specific looks pretty. Good I would say got to see. Promise. Yes my future very pleasant Oh absolutely my friends and I believe the 7 seas are swimming playing thank you unless something is immaterial to. Us to thank us. For us thanks. In 961 recorded live at Basin Street. And the orchestra under the baton of Bobby Tucker but I do believe Quincy Jones had a hand in that from the early Eckstein had paced the street Eastmond he's making eyes at me and from our compact jazz series on the Mercury label featuring the musical and the x. Time blowing the blues away with 945 Billy Eckstein was the boy singer with Earl Father Hines and his orchestra during the middle of World War 21943 and was very popular as a singer with Earl Father Hines and music going on to quarks and what not but he left with some of the bebop hers and formed his own bebop orchestra and you heard that in blowing the blues away and that's from an alum act LP somebody called Billy Eckstein and his orchestra 945 Love is the thing and before that I love the rhythm in a riff was also Billy Eckstine and it's orchestra from the subway recordings double LP set called Mr b. In the band. Love is the thing from October of 1946 and about same time as that Texas and Pacific of Louis Jordan. And I love the rhythm in a riff from May of 145 and Billy Eckstein broke up his bebop band as too expensive and also bebop had not caught on yet but he was breaking up the band just to when bebop was becoming fast the new. Evolution of jazz. Other bands would come up through Claude to when he will of course Jerry Mulligan arrangements and Gil Evans arrangements behind Miles Davis with Miles Davis who put out his birth of the cool in 1949 Dizzy Gillespie orchestra. Others and Dizzy was actually one of the Beeb operas that left the Earl Hines orchestra to go with with Billy Eckstein in late 1944 but things were happening very fast and he was just a little ahead of the curve and could not continue to pay the musicians and so they started to drift away and his band dissolved he went into singing pop tunes with with very syrup the stuff I've got a lot of it but. Not going to take the time to play it for you here on Jazz on the 7th day we've got other music to play and was quieter later on I'll play some of the better of his quieter music in the last hour of tonight shoulder right now let's do something much more serious Let's listen once again this for Johnny Colson trumpet with the Gil Evans orchestra this time taken from the reissue of the 11th album great jazz standards on the Blue Note reissue series. Recorded early of night early 1959 and originally on the world pursue Fick label said the Blue Note we should call Pacific Standard Time maybe it's out on a different title now on cd but early 1959 eleventh's orchestra featuring Johnny cold on trumpet Straight No Chaser. For. Really. Good. Oh. I'm never. Never never never never never. Never never. Never. Never never never. Never. Never need. To. Go. To. Everything. Oh. Oh. Oh. Oh oh oh. 000000000. Oh oh oh oh. Oh oh oh oh. Oh oh oh. Oh oh oh. Oh oh. Oh oh. Oh oh oh. Oh oh. Oh. Oh oh. 000-000-0000. Let me. Let me in a minute let a good. Thing about. Naming the they are. Going to the living the good. Name in. Poland going. To the end of the book. Looking. Good. It's. Such. A good fit. To. Get a. Good kick there good. We just turned 3 from a double LP reissue on Blue Note originally on the Aladdin label featuring Lester Young 947 we heard just cooling and and see Shorty McConnell and trumpet are gone Thorton also known as side the I came on piano right lace a guitar for a Ted Briscoe on bass enjoy Haynes on drums from the summer of 1947 Lester leaves him before I left 946 and on that track you heard you know I see. Lester Young on tenor sax with Joe Albany on piano Irving Ashby on guitar red calendar on bass and Chico Hamilton on drums Lester blows again was the 1st of the 3 from 1945. Lester blows again. Lester Young was with Vic Dickinson on Tom bone Dodo Marmora Rossa on piano Freddie Green on guitar red calendar on bass and Henry Tucker Green on drums recorded in Los Angeles October 945 and we started the set with straight no chaser from 159 to Gil Evans orchestra you heard Johnny Cole soloing on Straight No Chaser originally put out on the Pacific Jazz LP great jazz standards 11th orchestra the Blue Note reissue called Pacific Standard Time on that track straight no chaser Steve Lacy. Soprano sax and alto sax Oh that's so Curtis followers on trombones following on a straight no chaser as was 11 some self on piano solo nice monks Straight No Chaser 11 to Orchestra 159 let's return to the music of Ahmad Jamal from the Argo recording Jamal at the penthouse was an orchestra backing him on most of the album but this track Ahmad's blues he said. I just his. Bassist and drummer is are across the on base center and elsewhere near on drums with the strings kind of laying out for the most part. So let's hear this track I was just a sampling through a couple of albums getting ready for the set and there are 2 albums I have that have really Crawford on guitar their excellent but not in any shape to play on the air and it's sad because the music is really good. But let's go ahead and hear the piano of Ahmad Jamal this is Ahmad blues. And. For. Me. From Home. And. From. Or are. Ever. Or are. More or. Less. The Iraq. War or. When. At the. Look look look look let me play play play play. Loafer. So. Stay. Tuned. So. So. So. So thank. Them for the money thank you. I am. In a. Jamaal live at the Montrose Montreal's Jazz Fest all right in a 5. With Make someone happy double LP set on d. Atlantica label you heard him mentioning James Camac on bass and Harlan Riley and drums Selden Newton on percussion much him on piano and before that we heard feeling good from $165.00 taken from his album of music from the Broadway play The roar of the greasepaint the smell of the crowd musical by Leslie brick Hughson Anthony Newley and so you cover the music from his penthouse studio February of 1965 and watch him all piano Jameel Nassar bass Chuck Lampkin on drums minor moves before that from a kind of a surprise for me the album's been kicking around in my collection for a while and I've been reluctant to play it but I found something good on it called minor moves and this recorded in June of 1967 for the cadet label and the group was all my Jamal on piano Jameel Nassar bass Frank gas on drums augmented by a 20 boys choral group under the leadership of Howard Robertson not quite sure if that's the guitarist that could be. Take a look tonight and see if that. Those kind of details are something that's. You know we should remember but I'm going to probably play this again some time in the future minor moods we heard that and they mentioned that it had been it was covering a piece by a large mall that he'd played several years earlier. And we started the set with of Ahmad Jamal with 2 versions of Ahmad's blues the 1st one from 1989 Ahmad Jamal trio the Argo recording Ahmad at the penthouse and then I found. A collection the double LP set out on the epic c.b.s. Label. Release in 1902 music from the 19519472 about 953 recordings for the Kelley label that had on side 3 all of side 3 of the double LP set of Ahmad Jamal with Ray Crawford on guitar and the Calhoun on bass so from that he took the 2 we heard much of all with Ray Crawford on guitar on Ahmad blues and that brings us up to the top of the hour so let's take a break here and come back with more jazz on the 7th day holiday and thank you for listening to for tuning in and enjoying and supporting public radio Guam 89.3 f.m. On Guam 89 point one f.m. Onsite pantin and sent Apollo rota home a translator Armont to Pocho Pocho that's supported by in part by Joe Camel k.b.r. Jihad gotten your source for n.p.r. News and music discovery coming up at 11 o'clock is Weekend Edition Sunday from National Public Radio Live National Public Radio News and at midnight World Cafe so do stay tuned we have another hour together here on Jazz on the 7th day on Darryl Kile gritty I'll be here for the next oh. 15 minutes or so and help you ease into your Sunday night of slumber and Monday a new week in the Marianna's earlier in the show I played some tiny crimes we're going to hear some training grounds now a concert for the tiny Grimes who's playing back in the 1930 s. . With a group called the cats and a fiddle and I don't have any cats and a fiddle but someday I will. Played with Art Tatum in 1904 we heard some of that earlier tonight he played also in the fifty's and was playing all the way up through and out of here years at. A concert held at town hall featuring 7 of the world's greatest to Tara sed this was held in 1991 the double LP set on Columbia called the guitar album tiny Grimes on guitar backed by Larry Ridley on bass and Alastair Wood on drums This is called Blues for colony says tiny Grimes in 1971 lives. Thank. You. And. Her. Turner. Thank. You for. Making.
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