Good time. Well start our second panel today. First i want to introduce the moderator our very own colleen shogun. Who is the Senior Vice President at the David M Rubinstein National Center for white house history of the White House Historical association . Dr. Shogun is a trained political scientist with a phd in american politics from Yale University a we continue now the White House Historical associations discussion on the presidency and Historic Preservation. Ive, next the contributions of women in preserving the white house and other president ial sites. I hope you are having a good time. We will start our second panel today. First, i want to introduce the moderator, our very own colleen shogan. Who is a Senior Vice President at the david m. Rubenstein National Center for National History of the White House Historical association. Doctor shogan is a trained political scientist, with a ph. D. In american politics from Yale University, as well as a bachelors degree in Political Science from boston college. She has almost 15 years of service and the federal government, including prominent roles with the u. S. Senate as well as the library of congress. Doctor shogan teaches government students at Georgetown University and served as vice chair of the women Suffrage Centennial commission. Another feather in her cap and an illustrious resume is that she currently serves as the cochair of the board of directors at the Women Suffrage National Monument foundation, designated by the congress to build the first memorial in d. C. Dedicated to the history of the movement for womens equality. Its a huge deal. To begin with our panelists, we have a lane rice bachmann. She is a state archivist of maryland and a coauthor of a wonderful book, designing camelot, published by the White House Historical association. Im proud to say it was launched in this very room on july 28th, which happens to be Jacqueline Kennedys birthday. I was there for that event and, when im tired of practicing law, i go into my study and i looked through the book and it heals me and i go back to litigating. Thank you for the signed addition. Like Jacqueline Kennedy herself, miss bachmann also studied art history at the undergraduate level. In her case, at indiana university. Shes an expert on marylands historic public billety including the state house as well as the governors mansion. Shes a frequent collaborator of the current governor, larry hogan. This bachmann is a former director of artistic property, exhibits and reach, as well as a curator of artistic property at the maryland state archives. Next, we also have Melissa Melissa naulin, lucy associate curator of decorative art to the white house just across the street. Where she has served since 2003 in the presidency of george w. Bush. Melissa naulin previously held territorial post at washingtons mount vernon, the winter ford museum in delaware and the drum museum of new york. She was the master of arts degree from the winter Third Program in early American Culture at the university of delaware as well as a bachelors degree from smith college. Last but not least, we have pushed susan p. Schoelwer the executive director of Historic Preservation and collections and the robert h. Smith senior curator at George Washingtons mount vernon. Where she directs the architectural preservation, furnishings and interpretation of george and Martha Washingtons home, the surrounding plantations, structures, as well as the landscapes. A ph. D. Graduate of yale and an m a graduate from the Winterthur Program at the university of delaware. She also has a bachelors degree from the university of notre dame. And exhibit that ran from 2016 to 2021, created by dr. Susan p. Schoelwer and her colleagues, led to the creation of an awardwinning exhibition entitled lives. Lives beyond together, slavery at washingtons mount vernon. Hes welcome our moderator in our next panel. [applause] good, morning everyone. Thank you brandon for that very kind introduction. And we are first planning this symposium with the national trust, this was one of the topics that myself and my colleague, matt costello, certainly wanted to include. Because we thought it was one of the most important elements of discussion. As brandon said, im not a historian, im a political scientist. So, i approach these types of topics in a particular type of way. Which is always asking how, why and to what effect. I think today we are going to talk about the how, the y and to what effect. Were going to have some terrific stories talk about the historic role of women in preservation, from places like mount vernon all the way to the white house. Including our own founder, jackie kennedy. Which elaine will talk about in the course of our discussion. Were going to start with susan. Susan, you work at mount vernon. Of course, mount vernon is a home to one of the most amazing and interesting preservation stories in the united states. One of the early preservation studies in the united states. Can you tell us a little bit about that story . And can you tell us why women saved mount vernon, and not man . Because there are there. It stepped up to the plate. Thank you so much. Thank you so much colleen, and to our sponsors today. Its wonderful to be here. If i could have the first slide. All of you being here today, we are all invested in preservation, im sure youve heard the story of the Mount Vernon Ladies Association of the union. But i will recap it again briefly, in case youre not totally immersed in it, as i was not before i got to mount vernon in 2010. The Mount Vernon Ladies Association was founded in in 1853 by Pamela Cunningham of south carolina. As a grassroots effort to acquire and preserve the home of the nations founding father. And pamela was inspired by her mother, who had seen mount vernon get Something Like the condition that you see it like in the photograph before, like in a river boat, and she, quote was painfully distressed at the ruin and isolation of the home of washington. And the thought passed through my mind, this is her mother writing, why was it that the women of this country did not try and keep within repair if the men could not do it . [laughs] it does seem like such a blot on our country. And quick question, why not man . I think thats a story of opportunities not taken and it has been made available by the washington family collateral relatives of George Washington, who still owned it, but that was since the 1830s and both congress and the legislature of virginia had been approached and declined because of course there was no model for preservation at all much Less Government owning private properties to preserve them. And so congress and the Virginia Legislature both declined and thus it was remaining in private property when and Pamela Cunningham began to create this Grassroots Organization in 1853. To step ahead to your second question, women have made a difference. There were no precedents for Historical Preservation at the time. There were no white papers, there were no best practices, there were no technical leaflets, and pan amulet cunning and her deputies at the vice region as they were called, and still are called, when they came back after the civil war began actively preserving the property and they were really making up the playbook as they go. And i think what is notable about and pamelas vision, it was both conservative and inclusive. From the very beginning, she made clear that her goal was to restore the house, the outbuildings, the gardens, and the grounds as much as possible in the conditions where they were left by George Washington. I say that is conservative in the sense that it was not the aggrandizement. She wasnt trying to improve it or embellish it. She wants to presented to people as washington knew it and it was inclusive because he she envisioned it as not just the and the but all of the building surviving in 1859. So i dont really have that vision of, i forget what you call, it when you imagine what it did not happen, but we do have evidence of other suggestions that were put forth to her by authorities, by architects, by landscape architects, and those included ideas such as filling out the grounds as a memorial park, conserving scarce funds by preserving only the mansion and the family tombs, but the other structure said at the time were of no interest as there were only four quote on quote the meals. By which of course was meant the enslaved people who were making the plantation really operate and really responsible for all of washingtons legendary hospitality. And another suggestion was to preserve the mansion by effectively dissecting it, disassembling, it constructing a replica of more durable brick, stone, and iron, and then quote applying all of the old interior parts, essentially creating a veneer of authenticity. And finally, to more. In closing it all in the dome of iron and glass, protected from the elements, in finally improving George Washingtons landscapes by introducing terraces, walks, and flowers. Thus quote making the most of the ground and woods because clearly washington had not done enough. And our next slide, please. I think that in all of those were coming from male authorities in their fields, and i think any of these would have resulted in a far different that we see today. It arguably couldve sent preservation in general on a different way. Do i think it made a difference . I think the evidence indicates that perhaps it did make a difference. So thank you to those women. Thank you susan, for leading us off, it will move from mount vernon to the white house, because we hear obviously at the White House Historical association and melissa, i know youve done some research recently and a presentation about some of the first ladies prior to Jacqueline Kennedy who engaged in preservation efforts at the white house. Can you share with us some of those lesser known stories and where these women really the necessary predecessors to what we see eventually realized under the Kennedy Administration . Sure. I would be happy to talk about it. Absolutely, i absolutely think the story of Historic Preservation often begins and ends with Jacqueline Kennedy, and there were certainly many precedents that were in place when she became first lady in 1861. And so, many first ladies were involved in this effort, but i wanted to highlight a few today. Look at the first slide, the first first lady who really deserves the credit of promoting Historic Preservation at the white house was felicia hayes, lucy hayes, and her husband rutherford b. Hayes came into office quite controversialy in 1877. But first of all, i want to point out that she appears 84 years before mrs. Kennedy, and she was really the first first lady to have an interest in history, genealogy antiques, and in looking back at americas history. She had visited the philadelphia centennial exposition in 1876, and was very influenced by that. And when she got into the white house, she consulted with a old friend who was then serving as the library of congress, to try to decide, in what ways could they have the white house invoke the history of the pass, which at that point, had not been highlighted. In one of the plans that they came up with was commissioning portraits of former first ladies and president s that were not represented. And that was the vast majority, it was very little fine art in the house, even when mrs. Hayes came in. So you see on the slide, two of the paintings that were commissioned during her time there. The first was of martha washington, and this was done as a companion portrait to the lands down Gilbert Stewart portion of George Washington, which was referenced earlier. It is on the same scale as that portrait, and those two portraits have hung as many of you seen, for many years in the east room of the white house. And the portraits at the bottom of john adams, edgar parker, it is one of the many president ial portraits that were commissioned during his tenure. Those portions tended to be copies of life portraits, like this is a copy of a Gilbert Stewart portrait. And mrs. Hayes was also known for going through and asking the staff as they were investigating some of the spaces to see if anything looked old and historic, to bring it to her for evaluation. I think some of the things that were identified as historic in the 19th century certainly can be credited to her. Oh concept of a american, highlighting American History and furnishings is something that she highlighted in the selection of the state china service, which i would argue that the service is probably the most Remarkable Service that is probably ever been created for the white house. Throughout the 18th century because there was not american porcelain factories that were producing wears that were considered fine enough for white house state services. And there are all being purchased from france. They tended to be french and design, as mrs. Hayes was as adamant that her service should really be american and theme. And so she hired an artist, davis, to come up with the unique drawings, paintings of american scenes, american flora, fauna, animals, crops, some of which you see represented right there on the right. Next slide please. I also want to highlight edith roosevelt, who like the president theodore roosevelt, during the white renovation of the white house, which took place in 1902, charles mccann, who was leading the project, he really want to start with a clean slate in the white house and really get rid of essentially everything that was in the house up to that point. It was very, i dont have pictures of this, but if you are familiar with the images of the white house in the 18th century, it was very high victorian and style. And that had been what the families had used in decorating, everything of the latest faction. And they wanted to return to the classical version of the house. But mrs. Roosevelt put her foot down on certain things. She, for example, love the lincoln bedroom suite which they had purchased for the best guess chamber during her time, and so she insisted that she was going to have it for her bedroom. Which you see, and that center slide, the famous lincoln bed, and the accompanying dressers and table theyre all and use. And that of course called his bluff and being able to get rid of it. And she did that for a number of things. She was also the first first lady to install any kind of true museum type installation in the white house. You see that in that she had cabinets, ground for corridor, and historic state china services. Possibly most importantly, she decided that the options that i happen and that was a real turning point in terms of what remained in the house, in what did not. Next slide please. And then i wanted to give a shout out to mimi eisenhower, who is not always considered in discussions of Historic Preservation, but she, like mrs. Kennedy, was very interested in antiques when she came into office. Her pet project was the state china. President ial services, she was concerned that not every president ial family was represented in the white house collection at the time and so she revealed a lot of the techniques mrs. Kennedy did to highlight her search, and to have them publicize it and help or get the word out. And she was successful in locating descendants of the families that she was trying to look for china for. And so you see her beaming proudly next to some of the acquisitions. And in sheer numbers of acquisitions, to the white house collection, it is hard to top or in terms of the collection they came in. In her tenure in 1858, and the gilded sterling silver, and that is believed that the donation came about through her and eisenhowers friendship with margaret thompson. She was an american heiress living in paris who entertained the eisenhowers when they lived in paris when general eisenhower was serving as the commander of nato. And finally, mrs. Eisenhower, the first period brim in the white house was introduced under mrs. Eisenhower. It wasnt her idea, what was proposed to her by Michael Greer of the National Society of material designers, but she agreed to it, and if she had not agreed, it would not have happened. And so they proposed, for the first time, furnishing a room in the white house with all antiques of the same period. So the room that was selected was the diplomatic Reception Room on the ground floor. The over room there, and then their numbers, donated everything from, the idea was to create a federal style parlor, some american techniques and furnishings that wouldve been available to wealthy americans at the time were all donated to the house, and you can see mrs. Eisenhower in president eisenhower accepting a donation there in the top photo. And so the stage was set for mrs. Kennedy. That is a perfect transition, elaine, into a question for you. You of course are the coauthor of the book designing camelot, which talks about the efforts of Jacqueline Kennedy and the restoration of the white house. Can you tell us how, for our audience so everyone under knows, others may not know the story but tell us what were some of the institutions that mrs. Kennedy put in place that are still operational today, and also tell us why was she so interested in restoration in the white house, because it wasnt just necessarily pretty things, or to make things look nice, but there was a larger purpose that really supported the Kennedy Administration, and if you could tell us a little bit about that, i think that would be very illuminating for our audience. [inaudible] thank you colin, im so happy to be here. So happy to be able to follow melissa, because so much of what i do in trying to start with mrs. Kennedy, as if she walked out of the white house, but there were so many efforts. So much in life is timing, if you go to the first slide of mine please, so much is timing in life. She had excellent timing, and coming into the white house with president kennedy in 1961 at a time when mass media could reach the country through newspapers, television, used to a great advantage in the Television Tour of 1962. And she came into the white house at a time when it was not expected that a first lady would have any sort of an agenda or program, but she was very naturally drawn to the interiors in the history of the place, because it was something that she was personally interested in. And its something that she served with president kennedy, being very well read in American History, and an appreciation for public residences that they had experience throughout the world. Him growing, up her experience being abroad, and it became very influenced by the fringe ministry of culture and the palaces that she saw there. And she famously said that when she visited the white house as a tourist when she was 11 years old, it was a very disappointing visit because she had just shuffled through, and was not even a guidebook that you could buy. I think she had a very political reason for mentioning it. She had a very political idea for that. And she felt it was an institution that did not reflect the institution of the united states. , she said if she would become first lady, that is what she would focus on. And so we know about which he did in terms of setting up a fine arts committee, and soliciting objects to the white house, reaching out to institutions, but i think what is really important to know about her as well as that she was a lifelong student. She listened, she advisers. She went to mr. Dupont for advice about how to create period rooms. She was of course listening to bunny mullen about what to do in the interiors of the house, and she had a great friend, jane writes man who was always whispering inner ear about collecting and of course stephen bhutan, the french decorator as well. She had a vision of her own and was always willing to take that advice from others. I think the timing of it all came together and that she knew about the efforts of her predecessor, she knew that they had not always been successful for some very simple reasons. Like there wasnt a foundation under which to make that legacy go underneath her own there. And so she was very smart to work with her husbands advisers, and setting of the fine arts committee, which brought in mr. Dupont, she was honorary chair, not only pulling in wealthy donors who could contribute financially to our project, but also having an Advisory Committee of Museum Directors and curators. Thats up a real foundation. And then they setiof up about creating legislation in 1861 to create the interiors of the white house with the National Park service, to make the interiors a preserved space. That of course established a Permanent Collection. A Permanent Collection that today has grown into one of the greatest collections of american Decorative Arts in the world. They were protected, they were protected from being sold off. They were protected from being put away in storage, put away, or becoming too dilapidated to use. That was the foundation, and then ultimately, to create the White House Historical association as a nonprofit entity through which she could publish that first guidebook, which today is in how many paintings . Is it in its 25th addition . And what a great legacy. That was another thing that she really had a courage of convictions in that she wanted there to be a guidebook the people could take away from this house. A lot of people advised her against that and said that that was commercializing, it was tacky to sell a guidebook. What a brilliant plan, because she saw that guidebook for 1 copy, i think the first 600,000 copies were sold out within a few months because of the enormous appeal that she brought to the public in sharing the story of what she was doing in 1962. Visitation to the white house tripled in their first year there. Everyone is carrying out a guidebook, and you can see the pictures of people leaving the house with their guidebooks. And she really had a brilliant vision. If we can go to the next slide please, heres the initial offering of the guidebook when this first was offered for sale there in 1962. I want to point out that the only two women in the room are Jacqueline Kennedy and the rain wax man pierce, whos the first curator of the white house, also a graduate of the winter program. And so she establish that carriers office, the first curator, who is now a part of the legacy of that. And mrs. Spears was essential in helping to offer that first guidebook. In the next slide please. So beyond what she was doing in the white house itself, she really looked outside of this and into the neighborhood and paul touched on this of course in his opening remarks, about the lafayette square. I want to credit kathleen gallup, who wrote a wonderful article in 2006 for the leadership format journal about the efforts that mrs. Kennedy made to save lafayette square. She in her research at the Kennedy Library realize that it was the day after the Television Tour aired, february 15th of 1962, that mrs. Kennedy took a walk through Lafayette Park with david finley. She understood for the first time the full extent of the plans that were in place. And i think again, here is a mentor reaching out to her, and utilizing her great appeal. After imagine that he knew that if someone can make a difference in these plans, it was Jacqueline Kennedy. She was really quite horrified to find out what was in store. In fact her own husband had already approved it. Not because he necessarily thought it was a good idea, but i think as government goes, things get rolling, and she did not feel that way. She, i think was maybe buoyed by the popularity of that tour, and by the popularity of her program, and thought that she could lend her name and influence to this, but before long, she was writing a letter, im sure recommended by david family, to the administrator of the gsa, really outlaying her concern about this and how important would be to preserve the character of the neighborhood, the 19th century facades of these buildings, and you know, by march, the administrator requested a meeting with the existing architects, and seen those architects bowed out of the project, and john carr markey was on board. And the whole thing changed. Its so, it is incredible to think about the influence that she had in being able to change that program that was so far along, and she had a sense of what could be done because she had seen it in other countries as well. In a letter to the administrator, she talks about the Historic Monuments and laws in france and how those could be applied to the united states. And so she didnt here in washington, and ultimately later in life she applied that influence to the saving of Grand Central station. So i think she was always about what she did, its hard to describe any motivation to her, because she never talked about. It but i want to get one of our quotes about it. She later on talked about was going to happen at lafayette square, that it was going to be ripped down in horrible things put up in their place. She just could not stand by and let that happen. And i have a very favorite question that i like to ask of smart people, and i have a really terrific collection of smart people onstage with me today. This is a hard question, these have been the woman questions, and this is definitely the hard question. But one day, there will not be a first lady of the united states, even though this has been the case for 230 odd years, in one day they will undoubtedly be a first gentleman in that role as of her spouse. And so how do you think, when that happens, when that day comes, this is called a hypothetical, but when that day comes, how will this roll of preservation that has been assumed by first ladies, as we know, that has been historic, how do you think that that is going to change . Will change a little bit, will it change somewhat, will change greatly . What is the role of gender and the conditions of gender, and how does that affect Historic Preservation, particularly at the white house, but in general. Who wants to take a crack at this one . Oh dear. [laughs] sorry, i was looking in this direction. Well it is something that we contemplated. During 2016, when we had the first female candidate, the major ticket, i think that was a little different, and i started under george w. Bush and under the clintons, but a lot of the staff that i worked with headwork for the clintons, and so they were familiar with bill clinton, and i think that there was some trepidation about what this would all mean in terms of the traditional role. We say traditional role, but i think as susan can speak to, the earliest president s in terms of furnishing, they were very involved. Much more so than they would become later. And firstly seem to kind of take over somewhere in the mid 19th century, i would say, in terms of assuming that they have that role of making a home and being in charge of shopping in finishing the white house. The work i think will largely be the same in terms of, for many years, a lot of the work, the bulk of the work, its typically done by a designer that the president and first lady were there to execute the vision that they set out. And then of course the staff that designer, and then the staff of the Curators Office at the white house. And so the work will largely continue, but i do wonder how the credit will be made. I think that is where we could see a change. And i also think it will matter if the first or second gentleman is married to a woman or to a man. I think that could have a large role in how that roll is seen. And so. I think we will all be interested in exactly how that rolls out when it happens. But, yeah, i think the credit will be the major difference. I think the fact just that mrs. Kennedy came and, when there wasnt a president , when there was an idea that a first lady had to be an agenda. In 60 years, weve gone from preservation, because everyone wanted to follow on her, to all manner of things. I dont think there has to be an expectation that the spouse needs to take on that role, frankly because of all the good work that was put in place over the years, in established by mrs. Kennedy. Now theres a freedom to do whatever you want because there are professionals in place, the house is not going to go to and so i dont think that there would be an expectation that you have to take on that role. And i think melissa and alina have made most of the points that i was interested in with historically, broadly, when and how does it come to see a gendered role . And there is a very tiny historical footnote when they are setting up the first president ial residence in new york for washingtons inauguration in 1789. They only have a few weeks in congress is empowered to spend the money, to furnish a president s house, and they say, get someone to do. It theres a community of two women who really go out and find the furnishings for that residents and washington gets, there he is very involved in this, very interested in what is the impression of the presidency put forth for this new nation to foreign diplomats who are coming, and trying to strike a balance between not seeming to imperial but also meeting the expectations a foreign dignitaries. Its a he is very involved in what the furnishings are of the three president ial residence that he lives in, to new york, and one in philadelphia, and also the president planning for the president s house. So i think [inaudible] theres a very interesting [inaudible] dynamic to look at in terms of the president s house, but i think elaine, to your point, there is the structure in place now. And so how does that change whats that traditional dynamic has been . Sometimes preparing for this panel, i found a terrific quote in an essay by gayle and the [inaudible] history of women architecture. She wrote that although women have led the movement, the history of women has not been adequately preserved. And i was [inaudible] really struck by, that wow, that is right, and all the work that he did with women suffrage and i did that, i found that to be the case. The historical artifacts for the most part have been adequately preserved by all the terrific institutions that we have in place, both federal and [inaudible] private, but the story has not been told. That was the challenge. We had to get those objects out there, and we had to be able to tell the story of the women that fought for the 19th amendment. So i asked this question, why is there this divergence . Why has the actual task of Historic Preservation and done so well by women, but why are we still finding it [inaudible] challenging to be telling those stories and as we tell about American History in the important episodes of American History. Why is there doubt that economy, and what can we do this to make that better . I think so much a government has been government of men. And so that is a story that is gone cold, and i feel like there is not a single historian that i parked with the day anyone on the staff at the archives, or any museum of bannon, who hasnt been out looking for those other stories. There is a [inaudible] little harder to find, if you are looking at other sources, and you have to go beyond the, what is written about a particular ministration by that administration, because that is not the real story. We have to dig into other archival material, like i think that the information is, there but its got to be gotten out a little bit in a different way. I think this is the large question about the nature and the proper subject of history itself. Its not just preservation, but history itself. And to me there are two aspects of that question, and one is, one of the sites that we are preserving. That is kind of an additive of going out and looking at what sites we are preserving, and communities, but there is also the question of, what questions we are asking about the sites that we are preserving . And i think that there are so many sites, president ial neither, wise they have a rich stories that we have not been asking, all the questions that we could be about it. I think that came up and i last panel about talking about sites being dynamic. But the physical fabric of the site may be changing, at mount vernon, we are still committed to and vision of preserving mount vernon as washington knew it. But the washington knew it as a plantation, which was worked by enslaved people. And so we are asking entirely different questions to broaden that story, they were telling. I think much can be said about womens history in the same way, because there are so many stories that we have not begun to plan the depths of white womens involvement have been in those sites. Will that be the case of the white house, you think, melissa, as well . Yes. Let me think of leons point about the history that has been told. Maybe it started with the low hanging fruit about what was preserved in terms of the documentation. Learning there and then, as susan was saying, the questions have brought him so much as we have begun to understand that it is not just the history of our political leaders, of white men that needed to be preserved, but expanded into all kinds of realms and people of different races, ethnicities, sexual orientations, gender, all of those things which we are now looking for evidence of that history in those documents that may have been overlooked before. And just prioritizing learning and sharing those histories, which have not been highlighted in the past. And i think women will continue to do a lot of that work just as they started, but again, fortunately the field has opened up so much to us to be so much more aware of what is out there. And i just have one other point that is just another interesting question about womens philanthropy, and specifically womens philanthropy and how that plays into the history of women and the sights and how preservation got didnt into the priorities, and as they take on a guttural my last question, before we go to our audience here at decatur has today and also our virtual audience that is out there watching the symposium. If you have questions as well, type them in our comments section and we will try to get to those two. My last question is, you are all leaders in the field of Historic Preservation, in your respective positions and jobs. What are the challenges that still face women in the field of Historic Preservation today. What is going well . What are we doing well . And where can we improve . Well, i approach this question by convening my own little panel of four women who worked for me. Who have come into the preservation field from various paths. Two from academic training in Historic Preservation, one of those is an architectural historian. One is a project manager who has come in from the construction field. When is a joiner who has commit very much from traditional crossed fields. Their perspectives were kind of greeted according to those backgrounds. The two would come in from crafts and construction had seen what theyd seen about gender bias and can she really do that hands on kind of job. Those who are younger and had come in from academic areas released not as much more balanced. What was surprising to me was their concern was not so much about their but they were encountering as women in the field, but with a size the field of preservation in general being really struggling with the issue of finding people who could do the actual work. The trades, the crafts, the conservation, the rebuilding things. That, for them, was but the real question was. How do we bring more people . More women, but more people in general, into doing preservation . My specific role, if i can speak to my role as an archivist and the state archivist of maryland. And i have Great Authority to choose what is kept in perpetuity. Its a huge responsibility. A lot of that is written in law and retention, schedules are certain things that are going to come to the archives because they are government records. Theres a great deal of discretion in looking at private collections, a special collections and even in what records of government are kept. And you can see overtime that, when those records arent retained, that might Say Something about social justice issues, lead paint abatement in the city of baltimore, particular issues that related to urban development. If those records are lost, 100 years from now no one will have that part of the story. So, i guess im looking at it from the very sort of seminal place of what we choose to preserve today, its going to help tell the stories 100 years from now. Its a big responsibility. Having a representative staff help me make those choices, having women, people of color, people from marginalized and under represented communities, having them help make those decisions makes me a better state archivist. And makes the state archives ultimately, able to be more representative of the period were living and now, when someone 100 years from now is trying to tell those stories. Its so true. When you have women, as yourselves, in leadership positions, we know that makes it so much easier for women who are entering the field to feel welcomed. I study the presidency as a political scientist. The amount of women that were in that field was very few, i could count them on one hand, really, in the united states. I was very fortunate, i had a lot of male mentors but there are very encouraging and welcoming male mentors that wanted more women studying the presidency. That wanted people in this field. So, its one of the other. Its having more women in those roles or having men that really want women to step up and really be their successors in that way. So, lets open this up to our audience. I think well probably have a lot of very good questions for the panel. Im sure we have our microphone that will be moving around. Is there any questions over here . I think we have one. Thank you. Elaine, i love listening to you talk about the early committee that jackie put together. And having also been at winterthur and focusing on a bit of your work in our magazines while ago. I remembered when i called the hairdryer letter and i just wondered the letter is wonderful, very jackie, but when i wanted you to talk a little bit about, more serious with preservation, was the push and pull between putin and dupont. Neither one was thinking about preservation, yet that was jackies stated goal. Thank, you leslie, leslie is the former director of winterthur. Leslie greene bowman, its an honor to have you here. Yes, the letters are fascinating because you really see that many personalities that mrs. Kennedy was working with. Its also fascinating because her first introduction to mr. Dupont was made when he became chairman, its a very formal type of letter. From that on all the letters are handwritten and one was under a hairdryer when she was congratulating him on something in antiques magazine. Thats whats so interesting, only 60 years ago that was the g. O. A. T. Theres a lot to read in the winterthur archives. Its clear that she had a differential relationship with him, saw him as the 30 on antiques, establish the first museum of Decorative Arts in the country. Thats why she needed his gravitas for the program. He was 80 and she was 31, so it was a very deferential relationship. And then she had this french decorator, bodin, who decorated palaces and europe. Jane raisman was one of his principal clients and she really brought him into the project but in a very surreptitious way because mrs. Kennedy was a keen politician. You could not be talking about french decorators in the white house. But in fact, mr. Dupont knew from the beginning that he was involved and had this tradition of decorating in a very grand scale. The white house has grant dimensions, really, its not like putting window curtains on your living room windows. You have to really think architecturally and that was bodin real specialty. So, yes, neither one of them were thinking as decorators. What backdrops could they create. But she ultimately had her eye on the final outcome and what would be the final solution. So, its very interesting to see the push and pull. She ultimately got which he wanted. But you saw the growth that she had. Again, she was a lifelong student. Im glad you mentioned mckinney white. When miss kennedy started her project shes got to be very focused on 1802, the earliest period of the white house occupancy in the furnishings of monroe. It was really mr. Dupont who encouraged her to look beyond that to the full breadth of the history of the white house. Remember, she came upon at herself when she started understanding the architecture of these, rooms which were created in 1902 by mick can meet and white. She came to an appreciation of that period of architecture, which i think played into her position of those buildings in new york city later on. But she was a master diplomat for dealing with all those personalities for someone so young. Hi, im lindsay carpenter from the museum. As a young professional female in the field, i was wondering what advice would have for my generation to continue the work that you have all done . What youre hoping for, somethings during this time period in your professional development what you did that you wished to continue. Thank you. Thats a hard one. I think that, i guess what i would say is, my touchstone has always been doing the research. Knowing what the evidence is for what you want to do. And the thorough job of the research that you base your argument on. 25 pages, single spaced with footnotes people tend to buy in, in my experience to what youre saying. I got my experience that ive always encourage people to do who want to work in museums and the field of Historic Preservation, especially starting out is to take any opportunity you can get. For museum experience. Whether it is working retail, whether it is, in my case, working on the floor of a childrens museum. Dealing with all kinds of things. But i was doing admissions, i was doing retail, i was on the floor. Then, i was also able to do 20 hours in the Curators Office. But all of those real world experiences and seeing the total functioning of those museum institutions, at least for me, was incredibly important. In being able to continue working my way into a fulltime position. I concur. And if youre lucky to find a mentor, i also had wonderful male mentors on that i had wonderful female mentors. Anytime you can spend with people who are doing you know, my mother always said you have to imagine so they to be able to achieve it and be around people who are educated and what you want to do. And have a high standard. Because that is how youre going to learn. So, seek out people who are doing the kind of work you want to do. And try to spend time with that person. I think you will find its a very generous field that we are in, i always benefit from reaching out to someone who was a graduate of the Winterthur Program or working in the field. That idea of sharing and giving back and paying it forward is a contemporary expression, but i was a great beneficiary of that throughout my whole career. I guess i would add on to that, dont be afraid to ask questions. Dont assume that everyone you are working with has all the answers, because the story thats been passed down and handed down over the years may have gotten embroidered over the years. So, dont be afraid to be the new kid on the block, ask the question of why are we doing this. And go back to the primary sources and really dig into it. Question over here. Hi, good morning. The whole field of women and Historic Preservation is so rich. Thank you all for your comments this morning. Melissa, you mentioned the centennial exposition of 1876 and that anniversary as something that really inspired mrs. Hayes. We frequently think about that occasion as on the about spurred Historic Preservation and all of the womens Historic Preservation movements in the 1890s, et cetera. Im just wondering if you are any of the other panelists have specific points in history or specific societal influences that you think are also coming together to influence there interest in Historic Preservation. Thats a really good question. It is i mean, the whole concept of the philadelphia exposition, it really is hard, at least for me, to go back to a mindset where preservation wasnt even considered. Wasnt considered a priority, wasnt considered important. But its easy to see in the records of the white house, in terms of [inaudible] [inaudible] the auctions which i referenced. Anytime something was seen as just unfashionable, worn out. Because of a constant struggle for what they considered sufficient congressional appropriation. Which is the only way that the early president s were getting money for furnishing the house. Selling off the old things was the way that they brought in new money to buy what they wanted. But so, again, just the concept that old is okay, hold is interesting, old teaches you something. Its something that i think really came out of the centennial, during that period. I think just the i was thinking as ellen was talking earlier about bodin and dupont, i know for me, first being introduced to your work, the actual concept of Henry Francis dupont as the preservationist in the equation, to me it took me back a little. Coming out of winterthur and having just worked on a dress that had been taken apart to be seat upholstery, that wasnt necessarily the vision of Henry Francis dupont that i came out of winterthur with many years later. But to understand that mrs. Kennedy, to, i think borrowed mr. Do ponce, as you said, gravitas and authority. And she really, i would argue, did what she wanted. It really caused a lot of problems for the staff of the white house, who are writing back to mr. Dupont like, oh my goodness. Why am i even hear . I believe or some of the things they were writing. Because, again, mrs. Kennedy took over in terms of her decisions and that. So, im probably straying far from the question but its just amazing to see the fact that concepts of what is Historic Preservation has changed so much. Again, what dupont was doing and his time was absolutely remarkable and brought us forward. The wonderful thing is that we are still going. There is no stopping point for those concerns for historic authenticity. And concern for telling stories that havent been told before. And what is historic authenticity. I think what youre seeing, now, that was progress at its time, even progressed and it is on lifetime and considered himself a scholar. Now, weve moved beyond, into the last 20 years weve just lived through, the last ten years weve just lived through. Youve seen it at all the panels this morning about what does it mean to preserve a site and wet and how should it be interpreted. The social Justice Movement and all of the people that are coming to work for the archives now are these young, exciting people who are coming out of education that was totally different from mine. And having perspectives way beyond. Nobody expects to go to a southern Plantation House now and see how all the rich white folks lived. That is just not acceptable, nor is it whats the most interesting thing about history. Preservation is having this opportunity to be the truth tellers. You can do that through objects enter interiors and how you are either preserving a site or not preserving it, as it were. Or just revealing it. So, i think all preservation is a product of its time. We are living in a time of nearrevolution in interpreting historic sites. And its exciting where does that go from here . I dont know, but i think were going to look back on this period. He saw it on the wonderful presentations this morning of how people are looking at these traditional sites and how theyre so much more to tell. We have a question from our livestream. Jenna from facebook asks, how can the media play a role in sharing the lesser known stories and contributions of women and minorities to Historical Preservation . The question is how can the media play a better role and telling these lesser known stories. Particularly to women and minorities, and the role of Historic Preservation. Its kind of hard for us to speak for the media, i think. We can certainly use social media in the way that people have talked about today. In how we get stories out and things that we produce. To again start pointing to the questions that have been asked. Get those questions out to perhaps suggest to people in the media how some of those on asked questions can relate to Current Events were looking forward. I think its kind of on us, perhaps, to get some of those questions out there. That people dont know are there. The media really has to be your partner in a Historical Association or a historic site. Because you can tell, as we do at the White House Historical association, have extremely talented historians and interpretive staff on staff and writing the histories and discovering new stories to tell. And of course, you can put those on your website and you are in control over social media, but you want the Mainstream Media or traditional media, different outlets, to be able to help spread that story and tell it in new ways. So that people who are unaware of you, at this moment in time, soon find the treasures that you have uncovered. Now, that could be tricky at times because you want to make sure the story is told correctly. You want to make sure its told hole lee and authentically. We rely on outlets like cspan to help us do these things. But we are constantly looking for new media partners. Because all the time im thinking, well, if a tree falls on the fourth but no one hears it fall, then did it really fall . During the history correctly is the first step in the process, and putting it forward in a easily accessible manner so that people can consume it is the first part of the process. That, the second part is that outreach. Of which media plays as critical role. Thats why its important for associations to have trusted Media Contacts that they work with, to be able to help us, you know, really expand our reach. So that more people can learn and understand, who are interested. For sure. Thats a critical piece in the process i think. Question here . Not to get political, but there has been a concerted effort in many states too the [laughs] fact affect what history is being taught. I live in virginia, we are one of those states. Ive seen it in other states, certainly seen it in florida. Im wondering, knowing what your positions are to find facts and preserve facts and share those facts. Are you seeing this have any effect on Historical Places and such, doing that . Because it certainly a problem, from my perspective, in an educational standpoint in the classroom. I can say that i have not had it impact anything that i have done in maryland. I use my bully pulpit anytime i have it, its probably a small one, to just shout out that i dont know how critical became a bad word. As historians, we must be critical, that is our job. And also it is our job to enlighten people and tell the truth of history. So, im keenly aware of whats happening, i keep my eye on it all the time. Ive not had it impact me yet, but i feel very concerned. Yeah, we at mount vernon are doing a lot of outreach to teachers, we have summer teacher institutes where we have teachers coming in from all over the country. I think those are primary lee self selecting, people who are coming in who want to learn about the founding era and different aspects of George Washington and his era and the problems that he confronted. So, im not working directly with those teacher programs, i havent heard from our educators that they are, again, having a direct impact. I think the teachers who are coming in are grappling with those questions, certainly. And looking for strategies that they can take information, say that they learned at mount vernon, a developed techniques for Critical Thinking and analysis and reading primary documents. And i go back to their Home Communities and play that forward. So, it certainly, i think, a really critical dialogue that is happening right now. Its certainly something that Historic Places have a role to play and the touchstone, as a place to ground people. We will be doing a lot of k12 education this summer, obviously, with our teachers. And taking advantage of that. So i look for the hearing when teachers say when they come to our teacher institutes this summer, both in person and our virtual teacher institutes, our programs. So, i would now more after im able to interact with them. But at the Historical Association, we take the view that we are going to tell the history objective lee, completely and authoritatively. And that means telling the story of whoever plays an important part. That might be women, that might be enslaved people, might be freed black people. Native americans. We are going to tell the story so it is accurate. And retail it completely. And well provide those stories to teachers to use in the best way possible. Well meet them so they can use those histories effectively in their classroom. But i think our mission, despite its kind of like when you are running a long distance. Theres a lot of distractions along the way but its really best to just keep your eye on the finish line and the prize. We keep our eye on the finish line here, and we will not be deterred by some of this noise that is going around in the country. Because we feel that our mission and our purpose is steadfast. And that is to do the best possible and to tell the most complete history, as accurately and objectively as possible. Using authoritative sources and doing it well. So, thats the mission. We keep our eye on the long ball, not the short ball. The word that keeps coming to mind this discussion is truth. Theres been a lot of, i think discussion in the media and elsewhere about what is true and how do we know whats true and who we believe. At least as historians, for me, its always about being able to rely on the truth. When youre telling the truth, you dont have to worry so much about a standing on that. And also trying to have people evaluate all the media they consume and how do you evaluate what is true and what is untrue . As historians, it always goes back to being very clear about where our information comes, from what is the documentation for it . How do we know what we know . Pointing out why not just we believe or we think or its our opinion that this is true, but being able to show it in those documentations. And again, well always go back to those primary sources to help us establish whats true. And i think this is where history to me is not simply a collection of facts. History, is a skill. Its a lifestyle. We use it, we need to use it every day when were reading on the newspaper, social media, whats the argument being made. Whats the evidence that supports. It does that evidence make sense internally. Does it correspond, is there a water of fact. I think thats whats critical to me. History has a life skill. Question . This might be somewhat blasphemous. To ask this question. But i was struck by an all of your presentations, not only the women that led these efforts, but the women behind the women. And when i saw that picture of appear at the presentation. Had the guidebook. It made me think more about asking this particular question of elena melissa. Who was fattah headed into the side. What was her role early on in the candid administration . And her legacy serving as the First White House curator. What it means today. Hows used to shape the curators [inaudible] lorraine, what appears at the recent graduate. She had six by dupont, and be the first curator. Because mrs. Kennedy widely knew, you needed professionals. She was perfect for the position. Her thesis had been on charles the french cabinet maker. It fit in beautifully with the fresh furnishings of the white house. You think they get on i think mrs. Kennedy was difficult before. I dont think im revealing any secrets here. She was, lorraine was coming into a job that had no precedent. There was no scope of work and its like, go down in this job. She had her loyalty with mr. Dupont. She had french, mr. Biden, working in the house as well. She had to play the role that that again, didnt have a go before i get. It was a difficult position to. Be that sad, her role was to be a scholar on the job. And the short time she worked in the white house, a year and a half, multiple articles published brought a documentation that here is the furnishings of the white house, here is the source material. And heres their history. Bringing, again, the scholarly reputation to the project. And then it was primarily working on the guidebooks. Because she was, the newspaper articles at the time are wonderful to read. It was really she was a scholar and a mother. She had a 16 month old son. Her husband was assistant curator. And here she is working today. We dont think much about having a fulltime job and raising kids. At that time, it was highly unusual. She was also enormously popular with the press. She gave lectures. This can be done like. That mrs. Kennedy wanted her in the curator office. Doing the work, getting that type of stuff. So, there was friction. There im so grateful to lorraine for the pathway 2000. For it was alive and well in georgetown when i was writing my thesis. She invited me down to our house for two days to go through all her papers. None of which i can publish. [laughs] that would be the best seller. We can talk about that another time. She was very gracious about her time, she admitted it was difficult, difficult to be in that role. She was a trail blazer. William was the assistant curator, shortly hired, she stepped beautifully in the position. She was a great fit for the rule. I think between the two with them, and of course they revealed they established standards where they hadnt been any before. So, here is the legacy right here. I am overwhelmed, every time. I consider what shes accomplished in 18 months. Its just done. Honestly, it makes me want to get up and quiet. [laughs] she was under so much pressure. And leading the correspondence between her and mrs. Candidate me, i agree, theres many times i dont think i couldve done it. Mrs. Kennedy had such a hands on a roll. Subsequently, id argue a lack of understanding in what she was asking. When she promised, wanting mcgahn, the guidebooks a huge part of the program. She raises money. I guess at some point along the lines of, thats at least a tenyear project. And mrs. Kennedy says, we dont have ten years. And makes a club about, what is he doing what shes doing, okay. In terms of what theyre accomplishing. The ability and professionalization was only established in 1964 technically under president donovan luckily, im not familiar working under that much supervision. And again, the other mrs. Kennedy comes to her i think it was this new cataloging system. , this is the system but i had a system in place for the lot to start over, are you asking me to completely start over and do everything. I can, its a disconnect between the two of them and, my heart goes out to mrs. Im so grateful. [laughs] i would argue and certainly theres many challenges and pressures. Were not seeing that type of, she really pioneered away. And a way to be a professional in that position. That has benefited it all. Im grateful for that. Well, thank you, melissa, for a terrific conversation about a very important topic, thank you for all your excellent questions. American history tv, saturdays on cspan two. Exploring the events that at 12 30 pm on the presidency, revealing the life i lady marcia personal letters
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