B.b.c. Radio. Drop the corner right into the slots for 2 hours a vintage music in Henrietta's jukebox. This week show begins with the 8th and final part of high fives records that peaked at number 5 in the u.s. Charts in the golden age of popular music the sound of a from not a 64 and 5 and what about the likes of. Joe Tex and the white brothers. After that will be a sequel to the moments I tackled a fortnight ago this new one is from my house I guess it's called. Celebrating the paternal connection with James Brown and Penny Perry Como and Elvis. Later on in the 2nd half of the show 5 of a tribute to Chuck Berry 2 more of his hits from one to 58 Johnny b. Goode and Carol. To finish close to those stories day and. Be among the day's lesson is the secret. That starts with a quick. Break That was Bobby Freeman inviting us to come all the way in as a teenager just turned 18 in fact the San Francisco born and raised Freeman reached number 5 in the charts in the summer of not 58 with his own composition much revived do you want to dance you had a real struggle to put himself back on the listings after that although to further toe tappers Betty Lou got a new pair of shoes or sonata 58 and I do the she me she me 160 both now really made it into the Top 40. By the summer of one to 64 the dance craze of the early years the decade were coming distinctly old hat on the swim proved to be especially short lived what raise it above the level of say Chubby Checker's current minor hit lazy l.c. Molly says drive and energy and the modernity of its arrangement with those stabbing horns in that supercharged guitar playing the man responsible for all this was a 20 year old by the name or Sylvester Stewart who park composed and arranged it and produced a session also apparently playing on it for good measure call and swim got its initial impetus through being the soundtrack of choice the topless Gogo dance clubs that proliferated then in North Beach San Francisco but soon caught on in more sedate venues around the country it ended up matching the success of the want to dance by peaking at number 5 at the beginning of September 64 it proved to be Bobby's last hit of substance although his producer Sylvester Stewart would become ever so slightly famous in his own right in the late sixty's and early seventy's as the leader of Sly and The Family Stone go on and swim Bobby Freeman is the title of a collection of the recordings that Freeman made the autumn label in $1.00 to $64.00 and $5.00 it's on a street called and that was sad to say in memory of Bobby Freeman who died in January at the age of 76 provided the Grim Reaper state his handle it all because of a big backlog of tributes to get through actual consider Bobby's career at greater length at a future date. Now Bobby Freeman never had You. Know you seem. To know. Things. And. I remember walking in the sand by the Shangri last this record was created by the eccentric George Morton who like to generate an era mystery around himself preferred to be known as Shadow Morton you can just imagine what Jeff Berry thought of it when he turned a part of the blue reminding Jeff's wife and writing partner Ellie Greenwich that they'd been at school together and clearly aiming to blow his way into Red Bird Records this New York levels run by Jerry Leiber Mike Stoller was currently providing baring granite for their main source of income Morton's tendency to shoot his mouth off got up Barry's nose in particular when Morton idli both said he could write a hit record the greatest of ease Barry challenge him to put his money where his mouth was a survey with mixed feelings for Jeff Berry that Morton went off and did exactly that much of the demo disk of remember walking in the sound he came up with just a week later was a rambling 7 and a half minutes long and the Shangri-La as we got to sing it were not as Morton claimed a group he discovered in self but wanted already made records for other labels if Barry had the song down to more manageable proportions and its combination of nostalgia and deadpan hoodlums delivery readily found favor with record buyers in a reasonable 5 in the us charts at the end of September 9064 and number 14 in British ones 2 months later the best the Shangri-La is on spectrum music. By the time the she had reached their British chop peak next American high 5 had already made its mark could see a Jerry Buck and Betty ever. Be Jerry Butler and Betty Everett a duetting on Let It Be Me the origins of this soulful ballad were rather unlikely songs a French one a title just a party now I belong to you to be written and recorded in the midnight fifties by you bet Big Co Let It Be Me was the name obviously English adaptation and was 1st used on the soundtrack of a t.v. Drama sung by Jill Corrie church Hakon's like the tune and recorded an instrumental version of it on his 9 to 59 LP Chet Atkins in Hollywood he's proteges the evilly brothers tackled it almost immediately afterwards complete with orchestral accompaniment on the voting for them and became a u.s. Top 10 and u.k. Top 20 hit in the early months of $960.00 after that the song entered the mainstream repertoire Jerry Butler and Betty Everett were the 1st people to attempt a version for the r. And b. Market although their rendition closely mirror the harmonies and vocal arrangements of the Evelyn's hit Betty Everett and Jerry Butler were label mates at v.j. Records of Chicago both with Top 10 solo hits to their credit Jerry with he will break your heart at the end of 1960 and Betty earlier in one to 64 with its in his kiss their combined effort reached number 5 pop at the beginning of the vendor 64 no luck on this island however I don't let it be me from an album called The Story of v.j. On Metro records it also includes 3 solo hits by each of these duet ists Well we're into the era when British records had at least as much chance as American ones are becoming a us high 5 and so here come the honeycombs. Would The honeycombs and have I the right Holly Combs Roland and bass quintet formed at the end of $1.00 to $63.00 on the name of the Sheraton's they set up an audition with Joe Meek but just before that took place the group encounters another set of young hopefuls a pair of songwriters call Ken Howard and Alan Blakely the took along how them Blakely's composition have are the right to the auditions and Meek was sold on both a song and on the group the latter had 2 obvious selling points a distinctive and confident singer in Dennis' Del and a female drummer one tree whose elder brother John said bass guitarist meek decided that the drum sound was for the record his big feature and using the house of his long suffering landlady as a studio as usual he got the group members to stump in time on the staircase a result in sound being captured by microphones rigged up vibe by clips fit to the banisters very English the result sounded like the Dave Clark 5 meet the tornadoes but it's clearly a commercial proposition and pirate called signed up the act changing the name to the honeycombs the new identity was designed to focus further attention on honey Lantry who passed publicity machines at great pains to emphasize was a hair dresser's assistant by occupation in fact her boss Martin Murray was the group's rhythm guitarist of our the right was a little old fashioned in its style as was the group in its physical appearance they now beehive of honey it was a bit of a give away and no wonder it was quickly abandoned However the records. Energetic sound gradually won people over and have I the right ended up not only spending a fortnight at number one in the u.k. In the late summer of 9064 we're going to peak at number 5 in America in mid November so on Dream boats a mini skirts summer in the city on a Universal Music we move into the new year for our next high 5 and it comes from Joe Tex. You pay at the big. Hole. Don't. Hole. Was. A the Joe Tex and hold what you've got to go 10 years from his 1st recording session in one to 55 to make his breakthrough during this time he tried all sorts of styles and approaches in a vain bid to establish himself but nothing seemed to work by not in 64 he'd still had no luck and he missed current sympathetic label of dial records in Nashville wondering whether or not to let him go the bizarre twist of fate that provided the spot success came when Joe was taken to a studio in his hometown a Muscle Shoals Alabama in order to record some Christmas material How desperate can you get it is in these surroundings that Joe was moved to rework the melody of Holy Holy Holy Lord God Almighty give us a new set of words and with the help of the local musicians for whom a country's soul crossover style was as natural as breathing come up with hold what you've got it's preachy fine country inflected style was what Jodi unconsciously been working. 2 wars all these years and the record took off in a big way topping the army charts for a fortnight in general now to 65 and reach a number 5 pop at the very end of that same month the early part of Joe Texas successful time at direct odds is covered by a collection called Singles A's and B.'s $964.00 tonight in $66.00 on shout records . There's big gap before our next time fathers and counted not comes in October not to $65.00 via the Ramsey Lewis trio. The Ramsey Lewis trio and the in crowd an instrumental soul jazz reworking of Dhobi Gray's hit song of just 7 months earlier the 30 year old keyboard player Ramsey Lewis and his sideman l.d. Young and bass and red hold on drums are being languishing in the obscurity of the chess company's small jazz roster for some 8 years until they had a bright idea of recording their act in suitably groovy surroundings namely the Bohemian Caverns a night or a over in Washington d.c. Not far from the White House actually the audience was Walker's split attentive during the circle of moments and responded especially well to the in crowd which was seemingly chucked in as a crowd pleaser recordings made at the club over 3 days in May Not to $65.00 resulted in an album called the in crowd and the title track edited down to 3 minutes was really speculative a as a single but it. Off in a big way that pictures HA's number 5 Pope by mid October the album that bore its name was also a smash hit the single versions on the Golden Age of American popular music that just hits on a stretcher holds the final high 5 the series has a suitably valedictory actuate. Sic move. Move. That. Let's. Look. That was Ebb Tide sung by the Righteous Brothers or rather a righteous brother since like Unchained Melody which had preceded it as a single release is a Bobby Hatfield's solo item song been written some 12 years earlier by Carl Sigman and Robert Maxwell No not that one I'm glad to say I've been a big hit for both Frank tracks feelings orchestra and Vic Damone in one to 53 quite recently the spring of 9064 Lenny Welsh scored a top 30 pop and top 10 are be hit with a revival of it but the real source of inspiration for the Righteous Brothers as was so often the case with Roy Hamilton who had a number 5 r. And b. Hit with his rendition in 1591 of the last records by the Righteous Brothers to be produced by Phil Spector who immediately afterwards sold the jewels contract on to Verve Records Ebb Tide sold extremely well at number 5 in America in the 2nd week of January 9066 but although Unchained Melody and easily made the British top 20 ebb tide made only a very low water mark and number 48 here I've seen it from a Bobby Hatfield solo collection entitled The other brother that's just been issued by Ace Records and that's the very last of the high fives next month sees the start of it for 6. At. Your listening to Henrietta's jukebox on b.b.c. Radio Humberside Lincolnshire and York coming up in this next section of the show a sequel to a theme of a fortnight ago and titled The Mamas calling the sequel what else and the Papas my paternity song Sweet will include contributions from the Riddington Zz Hank Penney Perry Como and others but let's start with James Brown and his bag toting popper. James Brown in the Famous Flames and Papa's Got a Brand New Bag assisted by his new band leader Nat Jones Brown unleashes a latest evolutionary leap in his approach to music with this record even more than before the vocals with the crammer tree the instrumentation percussive rather than melodic also the rhythm was now centered around the on beat as opposed to the emphatic off be that had in succession typified rhythm and blues rock n roll and early soul music for the previous 15 years and then his lyrics Papa's Got a Brand New Bag hinted at not only a seismic shift in musical style the new breed things refer to but also in society at large undoubtedly with the civil rights movement firmly in mind in the summer of one to 65 Papa's Got a Brand New Bag held the number one slot in the RB charts for 8 weeks and also took the singer for the 1st time into both the u.s. Pop top 10 and the British top 30 the track opens the godfather the very best of James Brown on Universal Music. Now for some cutting edge music from an earlier generation it's one penny on the radio Cowboys folks with red hot papa. And now I'm done that and I'm out of this thanks but listen here mom I can show you some tricks on the red hot pop and it just got em's in a town. And I got it down half a mile a bomb on a boner down don't you want here with my mama ran harp on Lana just got and. I'm gonna go Angelus down the lane She's tall and skinny mother love the same I'm a red hot bomb planted just got into the sound. Olongapo age 70 years as a lookout mama ship in my ears on a red hot mama and a desk on end to stop. Now I love my sweet air love her guns but I still don't love her like a good man stood on a red hot palm and I just got on and soon found. Now maybe only good enough been here but I can count on outstrip the 9 years on a red hot bomb planted just gone and. And it's. Going to. Have turned into a huff. And I'm down on the ground and the name is enough and in Farsi show is a clean armor and I find my Ana just done and it sounds. A little I'm just an amount of the steak but let him are my kids always have drinks on the red hot palm and I just got and soon found. The end and I am. 8 am and I am f n n n a bit Haim now by. The f.d.a. . Tom Foreman. I take the dog and his women. Call. Him the way. To. The. Top of. The real thing but. No one can thrill me a line. Drawn and they. Probably . Never want nothing like anything carried in his. Name build the Boulder Dam the Empire and then they made my man and he very. Well. You might keep. The one on the enemy and who can really mean. You not big strong arms to hold me tight and he's pleaded me with only my king. He's my keep. My one big man and I'll keep him. Red hot Popper followed by king size pop or red hot pop it was an early example of Western Swing recorded in 139 by Hank Penney and the radio Cowboys a band that provided a formative influence on the rock'n'roll pioneer hard rock Gunter much more than on later slicker recordings by the likes of Bob Wills and his Texas Playboys you can hear the separate white and black elements that went into the western swing style on red hot papa the pioneering steel guitar playing an old dogs for instance still has reminders of the instruments origins and the whole why and slack key approach and the link with the rock n roll and country pop of some 20 years hence was provided by the band's fiddle player who was none other than brutal O'Bryant who with his wife a lease would write so many of the Evelyn Rivers hits this from a hank penny double album called King of hillbilly bebop on proper records now if you thought that might have been the case no hint of a double meaning in red hot pop or that was real vicar's tea party stuff compared to the single entendre for much of king size pop or which came next the perpetrator was Julie a lead singer and pianist whose background lay in the pre-war Kansas City jazz scene where she recorded with the likes of James Shannon but her serious jazz and swing credentials were often downplayed by her record companies which found that her cool delivery of sophisticated smart set the cash tills ringing merrily for a number such as snatch and grab it I didn't like it the 1st time and I blush to mention it don't come too soon of course an innocent interpretation the lyric could be provided if required there are some the lines of king size pop are rather challenging for the would be apologist kingsize Pop was recorded in Los Angeles for capital in $147.00 and included such luminaries as Benny Carter and Alto Dave Calvin are on tenor and red calendar on bass high grade smart indeed snatch and grab it the essential Julia leave Volume one is on Indigo Raechel. I don't think you're likely to find many on Perry Como records or even on one with such an ambiguous talk less. Loves. He. Goes. See goes. He. Goes you. Know we're in such. A strong. Center. Among. Perry Como and popular as mumbo in $94.00 and father member of dance imported from Cuba was as much an all embracing fad as the twist would be 7 years later mostly took the form of a hybrid with rhythm and blues as in Ruth Brown's chart topping Mambo baby inevitably the craze crossed over into the pop market where some of the industry hoped it would stifle the embryonic rock n roll movement fat chance of that innocently especially as most mainstream member records and to be pretty bland and that's a very great remove from the authentic style but it has to be said that popular vote was quite convincing instrumental with the Mitchell as orchestra being padded out one suspects by some Latino musicians in the rhythm section recorded in New York in the late summer of 154 the record was a top 5 hit by the autumn and the top 20 u.k. Success by the end of the year course on its heels came another successful bandwagon jumper Rosemary Clooney is Mambo a tally on 0 a somewhat less authentic take on the new craze that could best be described as a novelty version of what was already a musical novelty parries rather more acceptable effort committee found on the definitive Perry Como collection on Camden Deluxe. So something on the sole blue side of things next this is why Joe Tex puts in a bonus appearance on Tonight Show because here he is again the some of the song he calls too though it may sound like something you know a rather different tongue. All right. Was Joe Tex papa was to with thinly disguised rewrite of tramp written by low full sun and Jimmy McCracken during the winter not a $6667.00 false and original version easily outsold Texas remake in the r. And b. Charts where it made the top 5 on the public stings it was Pop was to the tears just in front when he found a place in the top 50 come the summer a rapid revival under its original title made by Otis Redding and Carla Thomas easily outsell the earlier versions near each army number 2 on the pop top 30 not to mention the British top 20 as withhold what we've got proper was too can be found on Joe Tex singles A's and B.'s Volume 190-642-9066 extension 1 shout records as of a piece of prehistoric rockabilly next from a singer with the intriguing Dame a fairly Holden here is desperately trying to look on the bright side of life on a song called papa's getting old. McGonagall been a hit I'm not aware of pop up with a bit more pop. Pop gate nose than. Puppet nose. Say the roof. In the mid eighty's it. Was a dollar a pound brown any old bat the blow top it an old. Pop. Pop it an old. Paper. And. Mom is damaging her bank papabile they indicate they can lower capital. The Hobbit in the. Back so I can probably get no. Data. To say that it. Didn't. Pop got jobs make known grandma State Bank in Pa around pop it's old. Bob knows that the ice is populated nowhere. And. A little. Pop there because I like to play as needed wanted my art a lot of my. Lord. Robert your good no. Papa is getting old a great piece of hillbilly cum Western Swing cum Guitar Boogie from fairly hold in the old style singer from Georgia who didn't mind dipping a toe into the New Directions The music was taking in the late 1940 s. He recorded this number in the summer of 9047 with unknown personnel though he would be tempting to fancy that the Guitar Boogie links were provided by the legendary and little recorded musician Mose rager who taught both mil Travis and I carefully Donna Phil's dad and I was involved in sessions either side of this one was getting old comes from a collection of souped up hillbilly music called hillbilly bop him boogie on a second's we'll have one final illustration the theme of on the poppers it's a bit of a cheat really since it's a glorious piece of nonsense called Papa. Ah pop pop pop pop pop pop pop pop. Come up You know if the rigging turns with. A Top 50 pop hits in the summer of $9062.00 that helped spark off the latest and many dance craze of that era the bird the record being put together by juggling all the silly vocal sounds the river interns could think of until they fitted but the bird craze proved so injuring the group was able to put together a similar sounding follow up again featuring the striking 10 the lead of Carl white and the demented bass of rocky Wilson This one was called The Byrds the word almost as well as its predecessor in the spring of $63.00 though a white garridge band aptly named the Trashmen then cleaned up during the winter not to 6364 where the opportunistic combination of the ringtone 2 hits on the title of surf in bird reach the top 5 the glorious originals however can both be found in the very good collection of the Riddington output called pop mail now on shout record so the division of cherry red records not only does this album Give us $23.00 tracks by the Riddington but also a discography and a potted history history that encompasses the group's previous incarnations as the lighters the sharps of 1st and Harris and and when it is rebels but that's another story for now his farewell to all those poppers. Beasts is Henry's due on the b.b.c. . You're listening to Henrietta's jukebox on b.b.c. Radio Lincolnshire York and Humberside coming up in the 2nd half of the show part 5 attributes the late rock n roll legend Chuck Berry continue to look at is not a 58 hits this town Johnny b. Goode and Carroll and to finish Doris Day The Coasters Maxine Brown and others we letting those in on some secrets this is Rock n roll instrumentals call Sunstorm and was a very untypical recording by John in the hurricane's untypical because the organ playing of Paul Tesla played a subordinate role to the guitar work of Dave York oh and leader Johnny Paris's saxophone was nowhere to be heard sandstorm was issued as the beside a beatnik fly a top 20 American and top 10 British hit the early months of $960.00 both sides of that single run down in the hurricanes the e.p. Collection on c 4 miles records. This week so spot is an unexpected most. 170 Stevie Wonder song sealed delivered I'm yours. Now Stevie Wonder who had signed sealed delivered I'm yours this record was evidence of Stevie's growing independence it was for instance his 1st we completely self produced there's also the 1st to feature his new female vocal group the 3rd generation this consisted of Linda Lawrence temporally a member of the Supremes in the early ninety's seventy's when Cindy birdsong took 18 months maternity leave Syreeta Wright soon will be briefly to be Mrs wonder before striking off on our own of Aneta feel as a former high cat and future leading session singer signed sealed delivered I'm yours became Stevie Wonder's 1st r. And b. Number one hit for over 2 years when he went to the top for 6 weeks in the late summer of 970 Not only that it is a big crossover hit as well reaching number 3 in the u.s. Pop jots and finding a place in the British top 2010 from Stevie Wonder The Definitive Collection a 38 track double album on Island Records he's just interlude features that lovely composition by the goodman brothers How long has this been going on it's been formed here by the Horace Silver quintet. That's the Horace Silver quintet with how long has this been going on the melody was written by George Gershwin and the lyric emitted here of course or supplied by his brother Ira it's all submitted for the night in 28 Broadway show funny face though not event actually used in it but it was featured in the 957 film remake of funny face starring Audrey Hepburn and Fred Astaire the film bore little or no resemblance to the original stage show but the inclusion of how long this has been going on revived interest in the song and many people recorded versions of it after that starting with Chet Baker but Horace Silver's version anticipated all that have been recorded in July 956 with Joe Gordon on trumpet Hank mobile long tenor saw himself in piano dog walk ins on bass and Kenny Clarke on drums to be on the LP Silvers blue issued on Columbia immediately prior to the start of silvers impressive body of work for Blue Note. So it was blue was reissued by Columbia in 1909 and that portrait Masters label it's made available once more 3 years ago and so need Japan though that's not exactly budget priced I know it sounds continue my tribute to the late great Chuck Berry I finished part for a fortnight ago with both songs of Chuck's major hits and marched on to 58 Sweet Little 16 So let's stop part 5 with what is arguably the even more celebrated hits the fall of that one Johnny b. Goode. Chuck Berry and Johnny b. Goode a quasi autobiographical song celebrate someone who could play the guitar just like ringing a bell he originally intended to be a homage to his regular piano accompanist Johnny Johnson though perversely it was Lafayette Likud play the keyboards and the actual recording session as he had done for the past 8 months now the song turned into not only a piece of silver mythologizing but more importantly into rock and roll's contribution to the American dream there is for instance a specific mention of a log cabin made of earth and would reflect in the legendary log cabin to the White House journey undertaken by Abraham Lincoln then there's the rags to riches story of an untutored musician who ends up with his name in lights as his mother predicted there's also the setting of a railroad track near New Orleans that is suggestive of the struggle of southern blacks to escape North to freedom a joke originally wrote a key line as well lived a colored boy named Johnny b. Goode until he decided to make Johnny a country boy in order to make the situation more universal and the records certainly sold very well across the board spending a fortnight in the 2 r. And b. In May 9058 and also reaching the number 8 pop in June Strangely it didn't appear in any of the British charts except for that of the Record Mirror which had it just not into the top 20 the songs home an influence is by far out stretched its chart placings has for instance been recorded by well over 100 other performers was rated 9 years ago by Rolling Stone magazine as number one in their list of the 100 greatest guitar songs of all time and perhaps the ultimate accolade was one of the pieces of music it was one of the pieces of music included in 1977 on the exploratory spacecraft Voyager was being representative of Earth's music and let's not forget Barack Obama's tweet in memory of Chuck Berry We'll miss you chuck be good. But mention should also be made of Johnny b. Goode famous guitar introduction using variants on many of Chuck's other records which he appropriated from louis d'ors not a 46 hit not just like a woman I mentioned in previous episodes a much better attribute the influence of both T.-Bone Walker and Robert Kelton on Chuck's playing but took him so freely admitted his debt to Louis George's guitarist in the mid ninety's forty's call Hogan. Training. There. Louis Jordan and his timpani 5 an 8 that just like a woman song Jordan co-wrote with Claude Demetrius Demetrius would much later be responsible for a couple of major hits for Elvis Presley main woman blues and hard headed woman something of a recurring theme at work there it would seem that just like a woman spent a fortnight at number one r. And b. In October $9046.00 interrupting a long run on top made by another Jordan Opus. To some of the pop top 20 Now stunning elements in the recording of a night just like a woman is the trailblazing guitar playing of call Hogan joined the band over a year earlier not only is that exciting vamp like a super chart. T.-Bone Walker supporting the number throughout was also a dashing solo and the introduction that would give Chuck Berry a stylistic template for his entire career took implicitly conceded this point by reviving the number one of his albums but more explicitly he's autobiography credits a jazz musician neighbor of his from the early 19 fifties Iris with teaching him a great deal about pain the instrument he then casually adds call Hogan the guitarist in Louis Jordan's timpani 5 was another idol of mine well that's very nearly as fulsome as Chuck Berry ever got when it came to dishing out compliments the b. Side of Johnny b. Goode wasn't an independent hit but it's certainly worth playing if only because it became such an important number in other artists repertoires around and around. Joe it was a. Got a degree. But to. Chuck Berry and around and around Lyrically this is far from the best illustration of Chuck Berry is a poet of rock n roll going quite a bit to reading and rocking and he musically it's fairly basic suspected by the way that Chuck played all the instruments on this track so the 2 guitar parts were overdubbed but has an attractive guitar riff and stopped on rhythm and it really Motors along it's quite easy to copy hence the enormous number of other artists who recorded their own versions I think the Stones were the 1st for their 5 by 5 e. P. But they were followed almost immediately afterwards by the Sunni in blue jeans. Yes as a track the debut album or the people of note who subsequently took to around and around and through the Grateful Dead and David Bally the top 10 hit with a strong Beside that we just listened to was followed well ill advisedly by a makeweight number call beautiful didn't Loyola which ground to a halt a number 81 pop in the summer of one to 58 and fail to figure it all in the on b. Charts Fortunately Chess Records immediately realize a mistake was a bad month later beautiful Delilah was speedily followed by an out and out classic . Chuck Berry and Carol it's on a need to combine some of Chuck's favorite themes car rides romance and rock n roll out is a that is a story centered around the anxiety of fending off would be rivals in which the hero attempts to overcome a serious courtship efficiency Oh Carol don't let him steal your heart away I'm going to learn to dance if it takes me all night and day instrumental in the song demonstrates what had been now emerged as the classic Chuck Berry template called Hogan style phrase introduces both a whole song and each repetition of the refrain that's a solid rhythmic vamp underneath an overdub guitar solo and fills the. Difference is that Chuck's road banned by now been reinstated Johnny Johnson on piano a certain G.'s Smith on bass an Eddie Hardy on drums recorded in May 9058 Carroll was released as a single in August by late September early October had picked a number 18 pop a number 9 r. And b. a Chuck singles had stopped charting in this country for the time being but Carroll was another of his numbers that gained secondhand popularity in the benighted sixty's r. And b. Boom this was initially down to the Rolling Stones who cover the song on their debut LP The Beatles fans I'm sure will be quick to point out that the Fab 4 recorded their own version of Carol 12 months earlier than the tailpiece release of their b.b.c. Radio series pop go the Beatles and that will do is for the 5th part of my tribute to Chuck Berry part 6 which will air in a fortnight's time were considered some of Chuck's hits of the winter of 905859 such a sweet little rock n roll or an almost grown apart 5 all of Chuck size that are played can be found on the complete chess singles A's and B.'s night of 552611 Acrobat music to illustrate Carl Hogans guitar playing I use the Louis Jordan boxset jiving with Jordan on proper records. And. You're listening to Henrietta's jukebox on b.b.c. Radio York Humberside and Lincolnshire coming up now in this final part of the show a selection of secrets shed with the likes of Dee Clarke Doris Day and the coasters but it starts with what can only be described as an open secret since it so well no . Such. Do you want to know secrets by the Beatles featuring just for once George Harrison on lead vocals well so composed by John Lennon the song was partly based on the Disney melody his mother had sung to him when he was tiny and only do what Rocco called I really love you by the stereos it's not so very quickly and casually and then offer to another of Brian Epstein's groups Billy j. Kramer and the Dakotas Kramer was less than enthusiastic about the want to know secret and resisted making his own version until after the Beatles recorded it themselves in February now to 63 for their forthcoming debut LP Please Please Me He then capitulated with the Beatles connection behind him wound up with a number 2 British hit at the beginning of June song proved more appealing to the public than anyone had thought in fact since the Beatles' own recording of it reached number 2 in the American charts in the spring of 9064 after being issued there as a single the album Please Please Me is still available Needless to say on Paula phone now before we get too carried away by the sharing of confidences his decline next with a warning your telling our secrets. Her. Be so cruel. To. For. These so cruel. To. Make such. With a double reason to feel aggrieved not only has he been given the elbow by his lover he's convinced his hated rival is now sneering over his old love letters to your telling all secrets is a Burt Bacharach how David song which is thought was almost certainly treated to an arrangement by but himself. Burt had for a while a very good working relationship with Calvin Carter had producer v.j. Records of Chicago Jerry Butler Scruggs overhit with make it easy on yourself top 20 r. And b. And pop in the summer and on to 62 was one obvious beneficiary of this relationship just a shame that this effort by d. Clark in to also have some success in the event didn't really get the chance as he was issued as the b. Side of the chirpy and superficially more appealing don't walk away from me however despite the fact that this one came only a few months after D's career best success with raindrops his new single fell just short of the Hot $100.00 in the autumn of $61.00 is illustrious beside is on always something they're a Burt Bacharach collector's anthology on a circle it's. Is someone else about to get away a secret Mind you this isn't as bad as it sounds because as she says my secrets of the secrets and he will. Us. Sir. Secret Love no seat. Most. Was Doris Day with one of her best known hits secret love this big production number was one of several unforgettable songs in the sink to the dead wood stage in the Black Hills of Dakota created for Doris by summary Fein and Paul Francis Webster of her starring role in the one to 53 film Calamity Jane all the songs the Black Hills of the Kota was a top 10 British hit in the summer of 9054 but a secret love that was the monster success top in the American charts for 4 weeks at the beginning of the year and the British ones for 9 weeks throughout the spring both Secret Love and The Black Hills Dakota are included on the Doris Day and call golden girl on Columbia this next example of secret love really is a secret evenly person who is the object of someone's affections is unaware of the fact. See me. Sleep the. . 2 secrets in the doo wop style was my secret 1st a song about love which is so secret even the persons being secretly adored is blithely unaware of the fact the group singing it was called sixteen's who true to their word worst 16 ages 3 girls and 3 boys they help from Los Angeles and their lead singer was Trudy Williams Trudy had in fact barely reached her teens when the group's called their one and only hit a casual look which made the pop top 30 in the autumn $1.00 to $56.00 the mostly specialized in dreamy ballads but my secret is priced up a little with the chatter rhythm but also nervous when it's released at the beginning of night 58 the sixteen's were doomed to being one hit wonders pretty much everything they're recorded is available in a collection called a casual look on a circles after my secrets came the secret which turned out to have a standard girl of my best friend theme for its lyric recorded in 158 by the gainers an outfit from Philadelphia who had considerable significance in the development of the soul balladry their lead singer was a certain Garrett Mims who renamed Garnett Mimms would have a very big hit in one to 63 with crybaby is backing singers then will call the enchanters and another member of the gainers Samuel Bell would also be an enchanter yet another Gainer Howard Tate would score half a dozen r. And b. Hits in the late ninety's sixty's though these didn't include his best known number get it while you can as the game is themselves they didn't score any kind of hit even if sales of the secret looked promising for a while until that is a cover version by the mainstream singer Gordon McCrea still it's funder and scraped a top 20 place in the autumn and not a 583 years later the secret was revived by Gene McDaniels as the b. Side of his top 5 hit tower of strength the original version was actually released in this country you can find it on the live American label year by year 9 to $58.00 and that's also on a circles so what does it take to be success. They knew the secret. Would. Lose You won't. Lose. All the. Good. You may. Think. I'm. Wrong. That's most. Haunted you. Know. That's. What. They. Call you with. A plate. Of. Your own. All the. What is. Your. Vote again. I was the coasters eaten up with envy at the activities of the local authority in what is the secret of your success it's a good idea for a song book for a jury Leiber a Mike Stoller effort it sounds only hard worked out as a perfunctory backing that really lacks one of those telling contributions made on posters records by the great King Curtis on 10 a sax this is because it was recorded while the coasters were on tour in the summer of $157.00 during the stop off at the Chicago studios the chess company of the local musicians were unfamiliar with the group style much of that record of proper enough was the secret of your success was put out in the autumn as the b. Side of an update of Sweet Georgia Brown in this film to find the secret of success itself both sides of the single on the $61.00 track double album called the definitive coasters a sides and besides that takes us from their prehistory is the robin's with riot in cell block number 9000 obscurity released in the autumn of 9062 called the climb the definitive coasters on the label the ambitious title of history of r. And b. Records now finally here's Maxine Brown 2 letters in on the secrets of livin. Maxine Brown and the secret of livin I bet you guess what the secret is going to be Maxine's best remembered it is oh no not my baby success recovered by man for man but this one dates from a couple of years later written by Paul Vance and Lee Pokrov team who are also responsible for that great soul classic itsy bitsy teeny weeny Yellow Polka Dot Bikini and rather more commendably catch a falling star I guess when nothing if not versatile secret of livin was issued as the b. Side of I don't need anything the end of 9066 to barely have this registered in Billboard's bubbling under chart but it was superceded by a rapid revival or possibly belated cover version of some of Dave's hold on I'm coming down as a duet with Chuck Jackson and that at least made the RB top 20 the secretive live in committee found on the Maxine Brown collection called The Best of The Wonder Years true to its title it's the sides of the highest quality that are picked for this album rather than those of the best sellers though obviously good taste and good sales do sometimes coincide Maxine Brown the best the wonder years is on Kent records and that's not only the last of our secrets but it's just about the last of this week's edition of Henrietta's jukebox The address is b.b.c. Ready homicide Queens gardens whole h u 13 r.h. Of I email on Henry dot on b.b.c. Dot co dot u.k. Follow the links on your local station website of the next 30 days for a rerun of this or that but for a fresh selection of vintage sound you can tune into the jukebox at the same time next week for a show that will feature party 11 of the all real records story this will take us through the early months of ninety's 63 I will include a clutch of new Tama Motown imports from the miracles Marvin Gaye and others can also be hits of 50 years ago in the American British top 20 newcomers of May 9067 with records from the likes of the river Franklin the young rascals The Kinks and the who. To close out tonight here's Miles Davis with the opening track of his seminal $9.00 to $59.00 album kind of blue does Miles himself on trumpet Cannonball Adderly an alto drunk Coltrane on tenor Bill Evans miles may collaborator on piano Porter was on bass and Jimmy Korb the sole surviving member of this classic lineup on drums at 88 cobbers not only survived as far as I know he's still playing and he names his current band after this track so what next week. 45. 55. 55.
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