If its opening number, Re-Make/Re-Model, was, as Melody Maker journalist Richard Williams observed, Roxy Music’s musical manifesto, it was proclaiming that rock’n’roll as we knew it was undergoing a strange and irrevocable transformation. It's a song that would be a closer on any other album, but its encores, interludes and resounding close signalled that on Roxy’s groundbreaking debut it was anything goes. Brian Eno’s experimentalism and atmospherics perfectly suit the novel feel of the songs, and fit their often peculiar construction. Bryan Ferry’s vocals and tangential lyrics add to the ramshackle uniqueness, while snippets of quaint balladeering, old-school rock’n’roll and doo-wop also crop up when least expected.Reaching Number 10 on its release, Roxy Music catapulted the group from being cultish outsiders and into the mainstream. Though future albums would outsell it, when it came to a forward-thinking, truly progressive fusion of diverse ideas, eclectic style and unnerving bravado, the band would rarely be as challenging or inventive.