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Remembering Sahir Ludhianvi on his birth centenary: The man who chose to challenge
Sahir Ludhianvi may not have given his songs feminist voices often enough, but when he did, these voices were loud, proud and challenging.
The first thing that comes to mind when one thinks of Sahir Ludhianvi’s writing is his progressive writing, his socialist spirit and of course his romantic shayari.
This year Sahir sahab’s birth centenary and International Women’s Day come together on the eighth of March, and today my thoughts turn towards his advocacy for women’s rights, through popular film music.
The general drift of classical Urdu poetry dictated that a man’s feelings about a woman take centre stage. The poet would praise his beloved’s beauty, chide her ‘bewafayi’ and romanticise their relationship. But Sahir’s narrative of relationships was often equal, where the lover and beloved conversed (through lyric) on equal terms. And sometimes one even saw the ‘nazaara’ through the woman’s eyes of the ‘female gaze’.

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