Nomadland review: Chloé Zhao's triple Oscar winner is a film at war with itself

How ironic that the signature film for the Covid year(s) concerns a woman who, far from being locked in the living room, takes to the road and makes a costar of the United States’ broad western skies.
There is enormous warmth in Chloé Zhao’s adaptation of a nonfiction book by Jessica Bruder. Too much warmth for some. Nomadland sends the protagonist to work briefly for Amazon, but it takes no apparent stand on the retail giant’s employment practices. Playing out in the aftermath of the 2008 economic crash, the picture encounters no whispers of nascent Trumpism among the travelling disenfranchised.

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